Culture
REVIEW: The Ocean At The End Of The Lane at the Mayflower Theatre

The ocean wasn’t only on Southampton’s coastlines tonight, as the Mayflower theatre was flooded with a full house of theatre goers all coming to see ‘The Ocean At The End Of The Lane’. This play adapted from Neil Gaiman’s award winning fantasy novel of the same title may just be one of the best book-to-stage adaptations to date. A bold statement I know. Writers and theatre fanatics both share the same worry about the risk of whether an adaptation will actually work or fall flat on its face; and Neil Gaiman seemed to agree, “I didn’t really know if my story was going to work for the stage”. Well I don’t think it could have worked out much better!
The work between Gaiman, Joel Horwood (the adaptor) and Katy Rudd (the director) must have been like clockwork in the production of this show. Every little meticulous detail really helped bring the magic of this story alive and make us, the audience feel apart of the ‘magical realism’ within Gaiman’s writing. And that’s exactly what theatre is about isn’t it? The play takes us through the story of fantasy, myth and friendship by tapping into a childhood wonder that was once forgotten and all the darkness that was forgotten with it. The play not only shows us the magic of the story and theatre in general but also tackles some hard hitting topics that come with their own emotional trigger warnings as well. The way in which the cast and crew keep the tone of the play from teetering over the edge of ‘too dark’ or ‘too silly’ is incredible but more on that a little bit later. One thing that I found extremely impressive was just the overall movement of the play. Some of the biggest moments or most impactful moments in the play, actually come at times when there is no dialogue but just a combination of perfectly choreographed movement, lighting and sound effects as well as set design that all created well – magic!
You can tell that this show is definitely a big operation with lots of different people having to play their part (excuse the theatre pun). The cast were just fantastic. As I’ve already mentioned, their movement was so powerful alone that I think special recognition needs to be given to Katy Rudd the Director and Steven Hoggett the Movement Director for their attention to detail. To remember dialogue is one job, but to remember THAT amount of movement along with it is hard work. Fantastic job! The standout performances had to be that of Keir Ogilvy who played the role of ‘Boy’ and Millie Hikasa who played the role of ‘Lettie Hempstock’. You forgot from the first five minutes that they were adults acting as 12 year old kids, sharing such a strong friendship character bond on stage which they did so well. The emotions that the pair made you feel (especially Ogilvy) was like being on an emotional rollercoaster. Superb! I think a special shoutout also has to be given to Charlie Brooks (Ursula) and Finty Williams (Old Mrs Hempstock), as despite their characters being polar opposites, both performances brought something different to the overall feel of the play helping balance the darker tones with lighter ones as I previously mentioned. The mixture of horror and laughter was divided perfectly and with the correct timing not to interrupt the flow of the storytelling.
The ensemble who at times acted as stage hands in the vital movement of set were also incredible. They weren’t just coming on mid scene to move set, they became a part of the scene through little expressions or interactions with the cast – a very effective addition that added that extra layer to what is usually an overlooked job.

The set, sound and lighting helped make this show. The bond between the three just elevated the whole play bringing the magic of Gaiman’s mind to life. Magnificent! Fly Davis (set designer) and Paul Dickinson (lighting designer) went above and beyond to create not only the sense of magic but the feel of it too. On the ground level it looks like quite a simple set, but paired with the lighting changes and movement (of both set and lighting) it gives another different dynamic to the story. There is a large use of strobing mixed with a heavy sound score to overload our senses and help make us feel the horror and fantasy of the novel and it is amazing. I sat in my seat with my heart pounding and adrenaline rising all from the combination of lights, sound, and set movement. Jherek Bischoff (composer) and Ian Dickinson (sound designer) have again worked to create a soundtrack that will make you feel the full range of emotions and make you feel like you were part of what is happening. All of this however would not be half as good without the puppetry and real life magic illusions! The puppetry stems from big monsters, to smaller versions of the actors, to sheets of what can only be described as water (if you know you know). Samuel Weir (costume and puppet designer) is who to thank for this, not forgetting the wonderful cast performing to literally bring Gaiman’s words to life, fantastic!
For the magic and illusions I don’t want to give any spoilers away as I, along with the whole of the audience, were just blown away by the amount of real-time illusions being used. I’m sure the audible gasps from the audience was just the reaction Jamie Harrison would have been after (magic and illusions director and designer). From little sleight of hand magic tricks to big visual illusions, at times you will be left scratching your head trying to work out what just happened. The lighting, the sound, the puppetry and illusions all work hand in hand and it is so incredibly impressive and sleek. Usually with book adaptations you could come away feeling slightly lost or struggle to keep up with the story line if you were unaware of the story prior to watching. ‘The Ocean At The End Of The Lane’ however did not leave me confused or with questions left to answer at all. The story was easy to follow and the pace of both act 1 and 2 were upbeat and interesting, making sure we were hooked into the plot from the first five minutes. The play involves different time periods and quick jumps from the past to the future which sometimes can also be misinterpreted, but not this time! Just Brilliant!
Everybody involved in this show is incredible and they all work together fantastically to create something that I believe is a must see play! The show being set in the 80s gives off a sort of ‘Stranger Things’ vibe before stranger things. The play left me leaving the theatre and looking online at where I can get hold of this book and whether there are seats left to go again. ‘The Ocean At The End Of The Lane’ is currently on its UK tour and I would highly recommend this play to anybody interested in theatre. It’s theatre reimagined and I wish everybody involved in this production all the luck and success they deserve.
Culture
Review of The Roses 2025

If something looks perfect from the outside does it mean it actually is?
That’s the concept that director Jay Roach brings to life in the new movie The Roses released in August 2025.
The Roses is a reimagining of the 1989 film The War of the Roses which was originally based on Warren Adler’s 1981 novel.
Although unlike the novel the characters instead are shown to struggle with their different careers either rising or falling.
It has been adapted, in my opinion, to make it resonate with women a lot more as in both the novel and first film the women were stay at home mothers who felt unsatisfied.
This appears to be one of the main reasons for the divorces with Barbara (Kathleen Turner) eventually turning to a catering business.
However, within the new modernised version Ivy’s (Olivia Colman) successful career is a point of contempt for Theo (Benedict Cumberbatch).
While it starts off with a more realistic depiction of parents struggling with the loss of a career and a start of a new one, it slowly divulges itself away from the typical divorcee movie.
I watched this movie at the Everyman (luxury I know!) and the grip it had on me as an audience member was outstanding.
With the selection of actors involved in this movie it’s no surprise that there is a mix of comedy and drama making it a satirical black comedy.
While it was delightful to watch, I feel that some audience members might criticise the realism of the movie.
Yet I go to the cinema to be transported from real life so the mix of realism and shock factor was highly entertaining.
A contrasting mix of comedy and darkness
The performances from the actors was exactly what the movie needed.
The chemistry, or lack thereof, between Colman and Cumberbatch was so believable that you would think that they were married in real life.
Their delivery of both the comedy and the rage was again so believable that it sucked me as the audience into what was the “dirty laundry” of their personal lives.
With a supporting cast including Andy Samberg, Allison Janney and others their characters mostly brought the comedy relief needed in to break the movie up.
They also gave us a contrast to the main relationship being shown which helped us recognise how some of the actions were exaggerated for our benefit.
However, some critics online have noted that while it is undeniably a satirical dark comedy, the dark comedy seemed to be held back some times, therefore not always giving it the edge it needed.
I think that for a 15 certificate movie it had just the right amount to stretch over its wide audience.
Another criticism that The Roses received was that the contrast between the comedy and cruelty was sometimes so abrupt that it didn’t hit as hard as it could have.
At some points the comedy seemed out of place which almost gave the film a sort of jarring feel as they changed between the emotions.
The ending is ambiguous which can have mixed reactions from the audience.
Some may like to have the movie tied up neatly at the end whereas others like that they can believe what they want to believe.
I am the latter in the case of this movie as I enjoyed the fact that I could believe either the more macabre ending or not.
To me the ending, without giving any spoilers, had me on the edge of my seat with a real 360 turn.
Again it had the perfect amount of shock factor and comedy which highlighted the overall tone throughout.
I felt that it drew the entire film together nicely especially with the ending performance from Coleman and Cumberbatch.
Culture
Sam Bishop’s new single – Just a Little

Winchester original artist Sam Bishop has been releasing music for almost a decade but after not releasing a new song for the last two years, Just a Little is set to be release this Friday, February 7th.
Sam first got into music when he was in secondary school, after watching Imagine Dragons in the O2 he fell in love with their support act.
As an only child he has always been a creative person, writing stories and songs in his free time.
The first thought has never been how can I perform live but how can I write?
Sam also enjoyed:”I enjoy feeling nervous but eventually acting felt like second nature, so I decided to give music a go.”
After getting into music in school Sam released his first song in 2016.
“It has been trial and error since with each year getting better and better performing and writing more.”
I asked him whether he has always written his own songs, and he explained: “The first thought has never been how can I perform live but how can I write?
“That’s the angle I attack music with.”
For Sam music has always been a way to express how he feels.
But what’s the best part of the writing process?
Well, for Sam it’s the feeling of a song coming together as a whole, he compared the writing process to a tap, that it slowly drips until it starts to flow.
“You get a melody and a good lyric. It feels amazing when it all comes together it’s so special, it’s definitely a process it takes time and trial and error.”
Sam’s new single Just a Little, is no different, going through this same process, and has now come together ready for its release this Friday.
It all started in last summer, when Sam was on a flight from Miami to LA, he wasn’t interested in watching the typical films you find on airplanes, and felt creative, this is where the chorus for Just a Little was born.
Being away from family for a prolonged amount of time through working away and travelling gave Sam the feeling of wanting to be connected and keep in touch with people’s lives whilst being away.
Just a Little is about questioning whether you’re enough.
It’s a song full of vulnerability and expressing that and truly allowing yourself to feel those feelings.
After Sam’s travels he got home and revisited the song, from there it started to take off and really build.
He sent the song to his friend Toby who he describes as an unbelievable guitarist, and an excellent musician.
Toby then worked on the song as a production, whilst Sam worked on the lyrics.
Just a Little was kind of a one off, as a process it was very natural.
By mid-November the song was finished and now is the time for its release.
This song has a different sound to Sam’s previous songs, and he’s excited for people to hear this new style of music from him.
“It’s a very personal song washed under happy and jolly music.
“It’s very current and popular; something you’d expect to hear on the radio.”
Sam hopes that that the release allows people to connect with not just the lyrics but how the song feels.
Following the release Sam has big plans for the next year.
This is the start of a new sound for him, and he hopes more songs like this will follow with maybe one or two before the end of the year.
There are also a number of gigs to be announced for the next three months that he is looking forward to performing.
At the end of our interview Sam said: “Songs will happen, it’s what I love to do it’s so expressive as an art form and it’s something I will always want to do.
“Just a Little was kind of a one off, as a process it was very natural.
After not releasing a song for two years, once the lyrics were finished and he got the song back from Toby he knew this was the one that this would be the re-release of his music as an original artist.
Just a Little is out at midnight February 7th.
For announcements of new music and dates of performances you can follow Sam on Instagram @sambishopmusician.
Community
Highly anticipated Five Guys restaurant has opened on Winchester High Street

The wait is over for Winchester’s burger lovers, as a new Five Guys restaurant has opened in the heart of the city centre.
The American burger chain, world famous for its customisable smash burgers and seemingly bottomless fries opened on Monday, December 2nd.
It was a soft launch without any ceremony for the restaurant, but the new staff and management immediately had a growing queue of customers on their hands.
Five Guys has taken one of three units from the former Debenhams department store. The other two are Nando’s which opened last month and Pizza Express.
Founded in Virginia in 1986, Five Guys launched in the UK in 2013 and has become a popular choice for burger lovers, including celebrities such as Tommy Fury, Mollie King, Ed Sheeran, and Maya Jama.
There are now 1,800 restaurants worldwide including 171 in the UK.
The new Winchester branch is expected to be a popular addition to the city’s food scene.
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