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REVIEW: The Wizard of Oz at Mayflower Theatre

Owen Noon

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There’s no place like home. There’s no place like home. There’s no place like…      Southampton? ‘The Wizard of Oz’ has travelled straight from The London Palladium, past the Emerald City and onto the stage at Mayflower Theatre. This is an updated, modernised version of the major motion picture starring Judy Garland (you may have heard of it), as well as the classic – timeless musical. I’m sure you all know how L.Frank Baum’s original story goes. Maybe not from the book itself, but more than likely from the film or one of the countless retellings it has had. So there’s definitely no shock when it comes to the story, it does what it says on the tin. But how has it caught audiences attentions again in a different way to make it feel new and exciting, whilst keeping that lasting story and sense of magic from the original?

Well, one way is by getting theatre royalty in to help with the adaptation. Andrew Lloyd Webber & Jeremy Sams have done a great job by modernising the feel of the musical, whilst keeping the narrative the same. No surprise with their impressive back catalogues. All the original songs you’d expect to hear are still in there, but you’ll hear them with some twists and a few new additions as well (but more on this later). I’m not going to bore you with a quick synopsis of the storyline but I will say that this is just as magical, bright and glamorous as any other adaptation you may have seen. It’s textbook classic, modern theatre. The theming and movement in particular help make this performance feel so big, and this is something that you can see the whole company have worked very hard on. Director and Resident Director, Nikolai Foster and Rebecca Louis, have done a brilliant job in managing the movement of set with the actors and any special effects that have been used. It never felt too cluttered, but it always felt busy and as if there was something going on; I think the cast play their part in this fantastically as well.

Choreographer, Shay Barclay, has choreographed the show amazingly, with the cast and ensemble executing it to perfection. 

The cast were brilliant. Playing the ‘Wicked Witch of the West’ was the ever fabulous The Vivienne, who was everything you’d expect her to be. Camp, fierce, and the perfect evil queen (I mean witch). Heading the show as ‘Dorothy’ is Aviva Tulley, who was sensational. Her rendition of ‘Somewhere Over The Rainbow’ left me with goosebumps, it was just beautiful (the adapted song is titled ‘Me Over The Rainbow’).

The relationship between her and her dog ‘Toto’ who was puppeteered by Abigail Matthews – was again incredibly touching. Matthews animated ‘Toto’ to perfection, even giving him a voice every now and then. Watching her was mesmerising, and you’d actually forget she was even there controlling ‘Toto’ at all, the best compliment for a puppeteer right? ‘The Scarecrow’ (Benjamin Yates), ‘The Tin Man’ (Marley Fenton), and ‘The Cowardly Lion’ (Nic Greensheilds), all shared a fantastic bond on stage – all individually with Dorothy and together. They each brought something special to their performances; and it certainly wasn’t a brain, a heart, or courage…   not until the end anyway (Spoiler!). They all get their fair share of laughter and applause and it was well earned! All of the cast had such a high level of energy and the choreography really elevated the musical as a whole. Choreographer, Shay Barclay, has choreographed the show amazingly, with the cast and ensemble executing it to perfection.  Bravo!

I’ve already mentioned how I thought the design was one of the key components in this adaptation being such a hit. The costumes, the lighting, the effects; they were all so Oz. I know that doesn’t make sense but it’s the best way to describe it. In terms of set, there wasn’t an awful lot of it. The show relied heavily on projections and pre-recored video to aid in the feel of being in a certain place. For a production of its size, I would’ve liked to have seen a few more pieces of set to help bring the magic of the story to life further.

The music was just wonderful.

The projections were very good, and at times very effective but I also feel that if you’re not sat central to the stage, then some of this ‘theatre magic’ can get lost very easily. Contradictory to this however, the ‘easter eggs’ to other shows and little jokes that were on the projections were a very nice touch – and they did help massively in modernising the show, giving it an edge we hadn’t seen before. The yellow brick road was one thing that I thought they did really well with; segmented pieces of moving set working together with the projections. To not reveal any spoilers, a certain scene with the ‘Wicked Witch of the West’ was also its own piece of theatre magic. 

The music was just wonderful. The mix of the old with the new was fantastic. Tim Rice (Additional Lyrics), has done a great job in modernising verses on top of the originals. By keeping the majority of the song original and classic, but adding a modern twist on the end meant you didn’t take away from the masterpiece that we all know, but made it something new that kept us listening. Incredibly refreshing. An example of this that sticks out would be in the songs, ‘If I Only Had A Brain/Heart/(The)Nerve’. The show also had a live orchestra, and a live orchestra completes a show. Musical Director, Iestyn Griffiths, and the orchestra left me with shivers – just incredible. The score was perfection. Powerful, soft, and well… theatrical. Almost cinematic. Towards the start of the show, I heard a member of the audience say, “This is almost like watching a movie”. I can’t say I completely disagree.

All in all, this is a really strong show. It was my first time seeing it and I was worried it was going to fall into the shadow of ‘Wicked’. However, I quickly realised that this is the love child between the original ‘Wizard of Oz’ and ‘Wicked’. Everything fell into place perfectly and they have avoided it becoming just another adaptation. It has its own feet (and ruby red slippers to match!). The cast were great, and it’s a feel good show that leaves you feeling good. Like I said, it does what it says on the tin. This is a musical for the whole family. Those that love the original, and those where this musical may become their original. If you get the chance to see ‘The Wizard of Oz’ and classic musicals are your thing, you should definitely see this one. ‘The Wizard of Oz’ is at Mayflower Theatre until January 21st before continuing on its UK tour and I wish the whole company the best of luck on the yellow brick road. 

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Sport

North Hants Senior Cup: Ten-man Basingstoke beat Romsey 4-3 in thrilling final

Taylor-James Greer

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For the second year running, Basingstoke Town have won the North Hampshire Senior Cup against Romsey Town in a seven goal thriller at Foxcotte Park.

Romsey, who are three leagues below the ‘Stoke, were leading for a majority of the game. 

Basingstoke were ahead just five minutes into the game after Shamar Moore’s delivery found Stefan Brown at the nest post, who directed his header past Miles Bartram. 

However, just a few minutes later, Romsey were level. Liam Magee found the bottom-right corner after a lovely combination outside the box by Geoff Dunne and Tiago Moreno. 

The Town took a shock lead inside half-hour after Liam Magee threaded through Charlie Hawes, who managed to hammer his volley past veteran Paul Strudley. 

HT: Basingstoke Town 1-2 Romsey Town

Basingstoke controlled the second-half and finally found an equaliser, with 20 minutes remaining, after Wilson’s arrowed his strike into the top corner. 

However just a few minutes after the goal, Aleks Kokoszka was sent off after a second yellow card. 

Irrespective of that, and with nine minutes left, Basingstoke took a deserved lead after Noah Chengun’s header found the back of the net. Shortly afterwards Basingstoke added a fourth with Brown’s volley firing past Bartram – surely that would wrapped up the game? 

Romsey, however, showed unbreakable spirit and even threatened another comeback when substitute Charlie Henson curled his effort from range past Strudley. 

FT: Basingstoke Town 4-3 Romsey Town

Elliot Macvie [Non League Matchday] via youtube
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Culture

REVIEW: Chitty Chitty Bang Bang at Mayflower Theatre 

Owen Noon

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So what noise does that car make? ‘Chitty Chitty Bang Bang’ has flown into Southampton with its brand new musical production. This is a musical. That might sound like a blazingly obvious statement, but what I mean by that is that ‘Chitty’ is the exact image you see in your head when you think of the word ‘musical’. Not necessarily the car, but the high production values in set, effects, music; the list goes on. It’s textbook. I’m sure that the majority of people will be aware of the story of ‘Chitty’ from Dick Van Dyke’s 1968 film of the same name. If you don’t know the story, you more than definitely have either seen the iconic car or heard the iconic song (yep, the one that gets stuck in your head for days on end). This musical adaptation follows the same story but it feels so much more exciting. Director, Thom Southerland, has nailed bringing this family classic to life – by making it for the whole family but not in a cheesy way.

It could have been very easy to slip into the panto-type vibe with this adaptation. There were still times when it felt panto-esc but that didn’t make it feel cheap or any less impressive. The dialogue is clearly meant for both an adult audience and family audience. It’s littered with innuendos and ‘adult jokes’, and it’s just brilliant. There were actually moments where I was thinking, is this too far for an audience with children? But I don’t think it was. They were on a tightrope with it, but I think that’s what made it so great. Compared to other recent classic movie adaptations, it would have also been extremely easy for them to strip the production value right back to a smaller set, and rely heavily on the use of projections/screens. ‘Chitty’ demonstrated that classic is still the best. Thinking back, I don’t think there were any projections or screens really, just real set pieces and physical effects. You can’t go wrong, and they certainly didn’t.

Seriously impressive, it’s like real magic on stage.

The cast was also what you’d expect from a big musical; grand and extremely energetic. Heading the cast as ‘Caracticus Potts’ was the brilliant Adam Garcia. Dick Van Dyke eat your heart out because I think ‘Caracticus’ now belongs to Adam. The singing was truly scrumptious (yes I went there), and his dance and comedic timing was also fantastic. In fact the whole cast’s comedic timing and liveliness was spot on. The children in the cast also need a special shoutout because they were all incredibly professional and super talented. Having said this however, for me the show was stolen by four cast members in particular. Martin Callaghan and Jenny Gayner as the ‘Baron & Baroness’ were flawless. They were stupidly funny, and the fourth wall breaks and innuendos were amazing. Likewise, Adam Stafford and Michael Joseph as ‘Boris & Goran’ were exactly the same. Funny doesn’t begin to scratch the surface. 

Now for the set. All I can say is thank you and well done. I’m so glad that what we got was real pieces of set and an actual flying car! (Well if you didn’t know that ‘Chitty’ was a flying car by now). I mean just imagine if they’d gotten rid of the car and rather opted for a projection instead… 

Seeing all of Caractacus Potts’ inventions actually as inventions to seeing a small remote controlled version of Chitty or a real child catcher trap – the whole thing was very impressive. The lighting was also fantastic. It matched every scene perfectly, and I always like when the light helps tell the story. This again is what happens here. The attention to detail was great and I think everything to do with the design was perfect. Bravo!

Of course we can’t do a review of a musical about a flying car, without mentioning the proverbial elephant in the room. Yes a full sized ‘Chitty’ actually did both inflate and fly on stage. And yes it was also breathtaking. It’s the moment the whole audience is waiting for, and it doesn’t disappoint. With things like this, I always try and look into how it is being done and I was fooled for a while. When the car eventually did a full 360, that’s when I was blown away. Seriously impressive, it’s like real magic on stage. In the interval, I know myself and a few others were thinking, “is it going to fly out into the audience?” Unfortunately it doesn’t (spoilers again apologies), but that doesn’t take away from just how nuts it is seeing a funny looking car full of people flying on stage.

This is a true feel-good musical that is meant for the whole family.

The music was again what you’d expect from a major musical. By now we know that I love live music, and tonights live orchestra was outstanding. They played all the famous songs that we know and love: ‘Hushabye Mountain’, ‘Me Ol’ Bamboo’, and of course ‘Chitty Chitty Bang Bang’. As well as just playing the songs, the almost played a full score for pretty much all of the dialogue throughout the night as well. I know I’ll be going to sleep for the next few nights with that title song stuck in my head! 

Overall, as of recent, classic film to theatre adaptations have been (dare I say) lacklustre. So understandably, I was a little bit worried coming into this one. I cannot tell you how happy I am to say that I was worried about nothing. To me it just proves the saying, “if it isn’t broke, don’t fix it.” Production was clearly at the top of the priorities list for this show, and you can definitely see that. I do also love how the show didn’t feel dated. It’s based on a story from 1968, that has certain themes that were also okay in 1968. The comedy used to get around this was faultless. ‘Chitty Chitty Bang Bang’ is a true feel-good musical that is meant for the whole family. If you were looking to take a flight with ‘Chitty’, they’re at Mayflower Theatre until May 12th before continuing on their UK Tour. I wish the whole cast, crew, and company the best of luck and success going forward. 

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Sport

Colden Common extend unbeaten run with comeback win against struggling Denmead

Taylor-James Greer

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Despite strugglers Denmead leading at half-time, Colden Common extended their unbeaten run to eight games after their 4-1 win last night.

Early counter-attack by the Mead saw them ahead just inside three minutes. The Stallions believed there was a handball in the build-up, but Tayo Adekoya was able to strike past youngster James Egeland-Jensen.

Colden Common dominated after the goal. Alpay Ali’s header was directed straight at Ciaran Hards, before Matt Rylance managed to pick out Will Erdinc inside the box – whose effort went wide of the post. Matt Driver had this chance palmed away by the Mead keeper as Adekoya’s low drive from the free-kick was blocked by the wall.

Chances kept coming for the Stallions. Braden Collins and Ali combined outside the box, which allowed Rylance to have his effort comfortable saved by Hards with Driver’s strike also kept out. Brad Lethbridge’s delivery was met by Sam Middleton, who saw his header wide as the referee blew for half-time.

HT: Colden Common 0-1 Denmead

Seven minutes into the restart Colden Common were finally level after substitute Jack Darnton’s cross from the edge of the box managed to lob Hards.

Erdinc’s effort came close to giving the Stallions the lead four minutes later, but a near carbon copy of the first goal saw Lethbridge cross bounce over the Mead keeper as Colden Common completed a second-half comeback just inside ten minutes.

Former Petersfield Town defender Nathan Primus added his name to the scoresheet after his header saw Hards ball watching as Max Innalls failed to clear it off the line.

Rylance’s shot shortly afterwards was directed wide as John Holden managed to pick out Ali at the back post, but the Bulgarian failed to find the back of the net. However with two minutes left to go Ali managed to hold off Innalls, with the former Baffins marksman finding the bottom-left corner to wrap up the game.

FT: Colden Common 4-1 Denmead

What is next for both sides?

Both sides are back on the road this weekend.

Colden Common will travel to Kennels Lane as they take on already relegated Fleet Spurs. A win on Saturday could see the Stallions climb into the top four.

Denmead end their season with an away tie against Liss Athletic, with the club being one of the favourites to be relegated. Mead, Hayling United and Sway are all level on 32 points, with strugglers Moneyfields Reserves five adrift of the trio – they have two games in hand.

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