Culture
REVIEW: Matthew Bourne’s New Adventures – Edward Scissorhands at Mayflower Theatre

Mayflower Theatre has opened its doors to the wonderful world of Tim Burton as ‘Matthew Bourne’s Edward Scissorhands’ has come to Southampton. Sir Matthew Bourne is renowned for mixing classical and contemporary dance with classical cinema and popular culture references, to the point where ‘Matthew Bourne’ is almost his own genre of dance himself. To achieve a perfect mix of these things, who better to collaborate with than Tim Burton? Tim Burton is the king of goth culture in cinema; his dark creative mind goes hand in hand with Matthew Bourne’s signature twist on dance – and ‘Edward Scissorhands’ is a perfect example of this.
I’m sure many of you will be aware of ‘Edward Scissorhands’ from Tim Burton’s 1990 film starring Johnny Depp as the title character. This ballet follows a near identical story, and I was worried that with there being no dialogue you’d struggle to follow along. This was absolutely not the case however! I was worried that knowing the story so well, you’d be waiting for the dialogue and it would feel incomplete without it. But Matthew Bourne has smashed it again, as his direction and choreography was more than enough in telling this witty, bittersweet story. Accompanied by the horrifyingly beautiful original score from Danny Elfman and Terry Davies, it was like watching the movie come to life in front of your eyes!
It was like watching one of Tim Burton’s monsters come to life.
This story retelling is dark yet light, heartfelt and funny all at the same time. The dancing company was incredible at portraying the visions of Bourne and Burton and they made the performance so energetic and engaging. There was always so much going on, everywhere you looked a different mini story was being told. Leading the line was Liam Mower as ‘Edward Scissorhands’ and what a performance. He embodied the joyful naivety of the character perfectly. On top of his dancing, his mannerisms and comedy through the way he moved his body was incredible. Not to mention his chilling resemblance to Depp. Phenomenal performance! As Edward’s ‘will they, won’t they’ love interest, ‘Kim Boggs’, was played by Jade Copas. She was also exceptional. You could really feel the bond that herself and Mower shared on stage, and during their duet dances, WOW! Stephanie Billers brought a fantastically raunchy and comedic edge to the dance in her portrayal of ‘Joyce Monroe’, with Luke Murphy as ‘George Monroe’ also getting an auditorium worth of laughs every time he was on stage. As the other man in the love triangle, Ben Brown gave a compelling performance as ‘James ‘Jim’ Upton’, bringing the so called ‘bad guy’ to life. The whole cast were perfectly polished, and the way they not only danced as a unit, but also moved/acted further helped bring Tim Burton’s story to life. At times, the way in which they were moving was literally like watching one of Tim Burton’s monsters come to life. Overall outstanding!

The overall production value of the show was exactly what you would expect from a Matthew Bourne or Tim Burton project. The set was more than just straight out of a Tim Burton movie, it was straight out of his mind. It was incredibly grand, but also intricate and clever. The same can be said with every single one of the costumes. Set and costume designer, Lez Brotherston, has made a story many of us know a reality! From the dancing tree costumes, to the theatre magic of sculptures/haircuts happening right in front of our eyes – just magnificent. I also particularly liked the use of perspective and mirrors within the set, as well as the use of projections and gauze within certain scenes – this again was very effective.
The lighting used was also a major help in bringing this story to life. The use of shadows in particular within the castle and from the ballet box was so effective. Lighting designer, Howard Harrison, has clearly thought long and hard about the impact that colour and shade can have on certain scenes. The contrast between light and dark in theme, much like in the movie, was perfectly balanced. The perfect oxymoron matching to the styles of both Bourne and Burton. As I’ve already mentioned, the classic easily recognisable score from the brilliant Danny Elfman was added to superbly by Terry Davies. Hearing certain songs from the movie was the perfect icing on the cake to another ‘New Adventure’ classic.
It was beautifully dark, funny and bittersweet.
The first Matthew Bourne production I saw was his version of ‘Sleeping Beauty’ and ever since then, I have been a huge fan of his work. Tim Burton is also one of my favourite film makers, having just visited his cinema exhibition in Italy. With both of these things in mind, I was always going to love this production, but I didn’t know that I’d enjoy it quite as much as I did! Any of Matthew Bourne’s productions are definitely a must see, from both a production and dance point of view. If you’re new to dance or ballet, I would say that Matthew Bourne is the dance that you need to see. It won’t only ease you in to a new style of dance, but you may just end up falling in love with it as well. In my opinion I think that ‘Edward Scissorhands’ may be one of his best, if not the best! Bourne’s and Burton’s work just lend themselves to each other perfectly and I can’t praise what I saw enough. It was beautifully dark, funny and bittersweet. All I wanted to do afterwards was watch the movie, and that’s exactly what I did! ‘Edward Scissorhands’ is showing at Mayflower Theatre until 16th March before continuing on its UK tour and wish the whole company and crew at ‘New Adventures’ the best of luck and success going forward.
Culture
Review of The Roses 2025

If something looks perfect from the outside does it mean it actually is?
That’s the concept that director Jay Roach brings to life in the new movie The Roses released in August 2025.
The Roses is a reimagining of the 1989 film The War of the Roses which was originally based on Warren Adler’s 1981 novel.
Although unlike the novel the characters instead are shown to struggle with their different careers either rising or falling.
It has been adapted, in my opinion, to make it resonate with women a lot more as in both the novel and first film the women were stay at home mothers who felt unsatisfied.
This appears to be one of the main reasons for the divorces with Barbara (Kathleen Turner) eventually turning to a catering business.
However, within the new modernised version Ivy’s (Olivia Colman) successful career is a point of contempt for Theo (Benedict Cumberbatch).
While it starts off with a more realistic depiction of parents struggling with the loss of a career and a start of a new one, it slowly divulges itself away from the typical divorcee movie.
I watched this movie at the Everyman (luxury I know!) and the grip it had on me as an audience member was outstanding.
With the selection of actors involved in this movie it’s no surprise that there is a mix of comedy and drama making it a satirical black comedy.
While it was delightful to watch, I feel that some audience members might criticise the realism of the movie.
Yet I go to the cinema to be transported from real life so the mix of realism and shock factor was highly entertaining.
A contrasting mix of comedy and darkness
The performances from the actors was exactly what the movie needed.
The chemistry, or lack thereof, between Colman and Cumberbatch was so believable that you would think that they were married in real life.
Their delivery of both the comedy and the rage was again so believable that it sucked me as the audience into what was the “dirty laundry” of their personal lives.
With a supporting cast including Andy Samberg, Allison Janney and others their characters mostly brought the comedy relief needed in to break the movie up.
They also gave us a contrast to the main relationship being shown which helped us recognise how some of the actions were exaggerated for our benefit.
However, some critics online have noted that while it is undeniably a satirical dark comedy, the dark comedy seemed to be held back some times, therefore not always giving it the edge it needed.
I think that for a 15 certificate movie it had just the right amount to stretch over its wide audience.
Another criticism that The Roses received was that the contrast between the comedy and cruelty was sometimes so abrupt that it didn’t hit as hard as it could have.
At some points the comedy seemed out of place which almost gave the film a sort of jarring feel as they changed between the emotions.
The ending is ambiguous which can have mixed reactions from the audience.
Some may like to have the movie tied up neatly at the end whereas others like that they can believe what they want to believe.
I am the latter in the case of this movie as I enjoyed the fact that I could believe either the more macabre ending or not.
To me the ending, without giving any spoilers, had me on the edge of my seat with a real 360 turn.
Again it had the perfect amount of shock factor and comedy which highlighted the overall tone throughout.
I felt that it drew the entire film together nicely especially with the ending performance from Coleman and Cumberbatch.
Culture
Sam Bishop’s new single – Just a Little

Winchester original artist Sam Bishop has been releasing music for almost a decade but after not releasing a new song for the last two years, Just a Little is set to be release this Friday, February 7th.
Sam first got into music when he was in secondary school, after watching Imagine Dragons in the O2 he fell in love with their support act.
As an only child he has always been a creative person, writing stories and songs in his free time.
The first thought has never been how can I perform live but how can I write?
Sam also enjoyed:”I enjoy feeling nervous but eventually acting felt like second nature, so I decided to give music a go.”
After getting into music in school Sam released his first song in 2016.
“It has been trial and error since with each year getting better and better performing and writing more.”
I asked him whether he has always written his own songs, and he explained: “The first thought has never been how can I perform live but how can I write?
“That’s the angle I attack music with.”
For Sam music has always been a way to express how he feels.
But what’s the best part of the writing process?
Well, for Sam it’s the feeling of a song coming together as a whole, he compared the writing process to a tap, that it slowly drips until it starts to flow.
“You get a melody and a good lyric. It feels amazing when it all comes together it’s so special, it’s definitely a process it takes time and trial and error.”
Sam’s new single Just a Little, is no different, going through this same process, and has now come together ready for its release this Friday.
It all started in last summer, when Sam was on a flight from Miami to LA, he wasn’t interested in watching the typical films you find on airplanes, and felt creative, this is where the chorus for Just a Little was born.
Being away from family for a prolonged amount of time through working away and travelling gave Sam the feeling of wanting to be connected and keep in touch with people’s lives whilst being away.
Just a Little is about questioning whether you’re enough.
It’s a song full of vulnerability and expressing that and truly allowing yourself to feel those feelings.
After Sam’s travels he got home and revisited the song, from there it started to take off and really build.
He sent the song to his friend Toby who he describes as an unbelievable guitarist, and an excellent musician.
Toby then worked on the song as a production, whilst Sam worked on the lyrics.
Just a Little was kind of a one off, as a process it was very natural.
By mid-November the song was finished and now is the time for its release.
This song has a different sound to Sam’s previous songs, and he’s excited for people to hear this new style of music from him.
“It’s a very personal song washed under happy and jolly music.
“It’s very current and popular; something you’d expect to hear on the radio.”
Sam hopes that that the release allows people to connect with not just the lyrics but how the song feels.
Following the release Sam has big plans for the next year.
This is the start of a new sound for him, and he hopes more songs like this will follow with maybe one or two before the end of the year.
There are also a number of gigs to be announced for the next three months that he is looking forward to performing.
At the end of our interview Sam said: “Songs will happen, it’s what I love to do it’s so expressive as an art form and it’s something I will always want to do.
“Just a Little was kind of a one off, as a process it was very natural.
After not releasing a song for two years, once the lyrics were finished and he got the song back from Toby he knew this was the one that this would be the re-release of his music as an original artist.
Just a Little is out at midnight February 7th.
For announcements of new music and dates of performances you can follow Sam on Instagram @sambishopmusician.
Community
Highly anticipated Five Guys restaurant has opened on Winchester High Street

The wait is over for Winchester’s burger lovers, as a new Five Guys restaurant has opened in the heart of the city centre.
The American burger chain, world famous for its customisable smash burgers and seemingly bottomless fries opened on Monday, December 2nd.
It was a soft launch without any ceremony for the restaurant, but the new staff and management immediately had a growing queue of customers on their hands.
Five Guys has taken one of three units from the former Debenhams department store. The other two are Nando’s which opened last month and Pizza Express.
Founded in Virginia in 1986, Five Guys launched in the UK in 2013 and has become a popular choice for burger lovers, including celebrities such as Tommy Fury, Mollie King, Ed Sheeran, and Maya Jama.
There are now 1,800 restaurants worldwide including 171 in the UK.
The new Winchester branch is expected to be a popular addition to the city’s food scene.
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