Winchester News Online
REVIEW: Agatha Christie – And Then There Were None at the Mayflower Theatre
Did you see whodunit? Agatha Christie’s ‘And Then There Were None’ is the latest murder mystery on Mayflower Theatre’s stage and the whole night you really will be thinking, “who did it?” ‘And Then There Were None’, is the best selling crime novel of all time and is argued to be Christie’s darkest storyline – yet also most parodied. From book to play to screen, you can definitely tell that this is how Agatha Christie envisioned this particular piece of work to be consumed. Director, Lucy Bailey, has really captured a true sense of mystery but has also managed to cram so much information (well a whole novels worth) into about two and a half hours. Having not known the story, I was really worried that I wouldn’t be able to keep up or retain all the information that was being fired out about characters individual backstories etc. However, I sit pleasantly surprised because I began retaining all of this information without even acknowledging that I was.
The story follows 10 strangers who are all lured onto an island off the coast of Devon for what they think is a social gathering. However when a storm cuts them off from the mainland, they soon discover the real reason that they have all been placed together. To pull the curtain back a little bit, basically the story involves lots of death – based on an old nursery rhyme that takes a very dark, real twist. You will be trying to work out whodunit, and I guarantee that you’ll change your mind multiple times! (Yes I did manage to work it out half way through Act 2!)
The way her character progresses is just brilliant to watch.
The cast for this play is only small, but they play their roles perfectly. The cast is 10 people who all bring the perfect level of comedy, fear, and actuality. In particular Nicola May-Taylor, who tonight played the role of ‘Vera Claythorne’ was fantastic. Again without giving too much away, the way her character progresses is just brilliant to watch. Joseph Beattie as ‘Philip Lombard’ also gave a brilliant performance. It’s extremely clever how you feel as if he could be the voice of reason at times, but also the murderer at others – really well played! A special mention needs to be given to Andrew Lancel playing the role of ‘William Blore’ because in a somewhat dark and long storyline – he always brought a laugh to the scene and that was a perfectly executed added extra. You could tell that the whole cast had a real connection with each other, and with a storyline such as this, that joint stage presence was needed. Not only did they work together as a unit but they could all individually hold a scene as well. Great work!

I was actually very surprised by the set and design of this play. I mean it was largely set in a lounge or dining room but it was the overall set that felt big. The sand dunes at the back of the stage, the large doors painted to feel like the ocean and the sky, and the curtains showing what I can only describe as a break between realities. The lighting was also simple but I feel like I say it a lot, that’s all it needed to be. It again was largely just lighting a lounge/dining room. However in the second act there was much more going on and the lighting/set reflected this perfectly. The blackouts to the candlelit scenes – all very effective. I would like to add however that the ‘10 soldiers’ on the dining room table were lit nicely, but the effect was lost in the first act in particular because the curtain directly covered where they were situated. Only a little snag but seemed quite important when they’re the centre piece to the story.
‘And Then There Were None’ is the definition of a classic whodunnit.
There was a little bit of added music for ambience here and there which again was a nice added extra that would usually go unnoticed. In the pre show, it was also nice to hear some period accurate music throughout the auditorium to help set the scene a little bit. As I mentioned previously, act 1 had A LOT of information in it, it was setting up the story as well as giving us our first couple of murders. The set up at times felt a bit long winded but it wrapped up just before it started to drag. Act 2 was much more action packed and exciting. There were jump scares, more murders, flashbacks (which were done very nicely), and it was just generally where the bulk of everything happened – oh and it was much, much darker.
Overall, ‘And Then There Were None’ is the definition of a classic whodunnit. You know what to expect, and that’s exactly what you get. This was like watching a balance between a murder mystery and horror film together. It’s not a story that you need to have any background knowledge of, and I genuinely believe that it could be a show for everybody. There’s a particular scene right at the end of the show that should come with its own trigger warning, but that doesn’t take away from the show in itself. ‘And Then There Were None’ is at Mayflower Theatre until 13th April, and it’s made me really excited to see more of Agatha Christie’s work directed by Lucy Bailey. I wish all the cast and crew the best of luck with the rest of their run.
Winchester News Online
Children will receive skills ‘to get on with life’ in curriculum revamp

Children in primary school with now receive education on “the skills needed to get on with life’”says the government after it announced the reforms to the curriculum.
Secondary schools will also be expected to introduce further testing to ensure that children struggling with core literacy are supported.
The changes were made following recommendations of a report made by Professor Becky Francis.
The “Revitalised Curriculum” is a part of the prime minister’s targets to give young people the skills needed “to get on with life”.
Primary school children will be taught essential online tools such as how to spot fake news and understand online dangers.
Secondary schools will have to introduce standard reading testing in year eight so that these who need support are spotted before it is too late.
The new reforms aim to give students confidence and give them further skills to join the competitive job market.
The new curriculum will fully published by spring 2027.
Sport
Wessex Division One: Colden Common level on points at the top

Colden Common are level on points with Whitchurch United, but stay second due to goal difference, after a 4-1 win against Blackfield & Langley.
That win now sees the Stallions undefeated in their last six league games – they’ve won five in a row.
But it was Colden Common that were behind, following James Egeland-Jensen’s attempt to clear the ball that was deflected in by striker Ashton Goodger
However, the Watersiders’ lead was short-lived.
Steve Kings’ side turned the game around in just five minutes, going from trailing 1-0 to leading 2-1, thanks to Jimmy Walters’ goal from a corner and Cal Archer’s lob over Jack James.
Despite surrendering their 1-0 lead and falling behind, Blackfield had a chance to level the score immediately, but Daniel Reynolds’ effort was directed wide.
Colden Common continued to pile the pressure on but couldn’t find the back of the net, as Joao Ferreira fired his effort straight at the keeper
And even in the early stages of the second-half, Colden Common struggled to find the back of the net in the early stages of the second half, with Ferrieia and Walters both failing to convert close-range. However, from a resulting corner, Cam Stone’s delivery was met by defender Will Erdinc, who nodded home to give his side a two-goal cushion.

Two minutes later, Erdinc’s pinpoint pass found Ben Sunley, who opted to shoot rather than pass to Walters, but his effort was dragged wide.
The chances kept coming. Erdinc thought he’d grab a second, but his header was directed wide of the post.
Six minutes later, Erdinc turned provider, when he picked out Sunley, who found the back of the net and seemingly wrapped up the game.
Colden Common pushed for a fifth late on, but a series of chances fell to nothing. Walters found Ferreira, but James made a great low save. Sammy Middleton’s effort from range flew wide, while Josh Bowerman’s strike was comfortably kept out. The game’s final chance saw Josh Harvey-Grey’s free kick, which looked to curl into the top corner, but was palmed away.

Next up for the Stallions, it’s a midweek trip to United Services Portsmouth, in the third round of the Wessex League Cup.
Culture
Where confidence takes centre stage: How theatre transforms

Performing arts education isn’t just about learning to act, dance, or sing – it’s vital in developing many young people’s confidence and self-expression.
In a digital age where young people are spending more time on their devices than ever before, theatre education provides lifelong skills like communication, resilience and teamwork.
I caught up with some of the students at Artisan Theatre School, a Hampshire based youth theatre club, to see if this rings true.
Ben, 18, said his time at theatre school has “helped develop people skills” and made him “a more confident person”.
He urged other young people to “get involved and enjoy it!”
Daniel, 17, shared a similar sentiment saying his “confidence has grown a lot”.
Theatre education can open a whole world of new opportunities for young people, giving them the space to discover their talents and explore future career paths.
Lucy, 17, has attended Artisan Theatre School for nine years and said: “I want to be a performer in some capacity.”
She added: “That’s my dream because of Artisan.”
Emma, a singing teacher at the school, said performing arts education is “beneficial to anyone,” not just those pursuing it professionally.
She added it can be especially valuable for children with SEN, helping them build confidence, improve communication, and “come out of their shell” in a supportive environment.
Unfortunately, despite its benefits, arts education is not guaranteed for every young person.
Cuts to funding over the last decade has had a significant impact, limiting access to creative learning opportunities.
The Cultural Learning Alliance’s 2025 report reveals a 42% decrease in Creative Arts based GCSE entries since 2010, and a 27% decline in the number of Arts teachers.
Sam Blackwell, principal and founder of Artisan Theatre School, said arts education is “really important” and that “they don’t do enough of it in schools”.
She explained that her vision in creating the school was to “give back more to kids and get them being confident”.
To help fill the gaps left by reduced arts provision in schools, Sam plans to introduce additional classes and offer increased opportunities for her students to learn from industry professionals.
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