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REVIEW: Agatha Christie – And Then There Were None at the Mayflower Theatre

Owen Noon

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Did you see whodunit? Agatha Christie’s ‘And Then There Were None’ is the latest murder mystery on Mayflower Theatre’s stage and the whole night you really will be thinking, “who did it?” ‘And Then There Were None’, is the best selling crime novel of all time and is argued to be Christie’s darkest storyline – yet also most parodied. From book to play to screen, you can definitely tell that this is how Agatha Christie envisioned this particular piece of work to be consumed. Director, Lucy Bailey, has really captured a true sense of mystery but has also managed to cram so much information (well a whole novels worth) into about two and a half hours. Having not known the story, I was really worried that I wouldn’t be able to keep up or retain all the information that was being fired out about characters individual backstories etc. However, I sit pleasantly surprised because I began retaining all of this information without even acknowledging that I was. 

The story follows 10 strangers who are all lured onto an island off the coast of Devon for what they think is a social gathering. However when a storm cuts them off from the mainland, they soon discover the real reason that they have all been placed together. To pull the curtain back a little bit, basically the story involves lots of death – based on an old nursery rhyme that takes a very dark, real twist. You will be trying to work out whodunit, and I guarantee that you’ll change your mind multiple times! (Yes I did manage to work it out half way through Act 2!) 

The way her character progresses is just brilliant to watch.

The cast for this play is only small, but they play their roles perfectly. The cast is 10 people who all bring the perfect level of comedy, fear, and actuality. In particular Nicola May-Taylor, who tonight played the role of ‘Vera Claythorne’ was fantastic. Again without giving too much away, the way her character progresses is just brilliant to watch. Joseph Beattie as ‘Philip Lombard’ also gave a brilliant performance. It’s extremely clever how you feel as if he could be the voice of reason at times, but also the murderer at others – really well played! A special mention needs to be given to Andrew Lancel playing the role of ‘William Blore’ because in a somewhat dark and long storyline – he always brought a laugh to the scene and that was a perfectly executed added extra. You could tell that the whole cast had a real connection with each other, and with a storyline such as this, that joint stage presence was needed. Not only did they work together as a unit but they could all individually hold a scene as well. Great work!  

I was actually very surprised by the set and design of this play. I mean it was largely set in a lounge or dining room but it was the overall set that felt big. The sand dunes at the back of the stage, the large doors painted to feel like the ocean and the sky, and the curtains showing what I can only describe as a break between realities. The lighting was also simple but I feel like I say it a lot, that’s all it needed to be. It again was largely just lighting a lounge/dining room. However in the second act there was much more going on and the lighting/set reflected this perfectly. The blackouts to the candlelit scenes – all very effective. I would like to add however that the ‘10 soldiers’ on the dining room table were lit nicely, but the effect was lost in the first act in particular because the curtain directly covered where they were situated. Only a little snag but seemed quite important when they’re the centre piece to the story. 

And Then There Were None’ is the definition of a classic whodunnit.

There was a little bit of added music for ambience here and there which again was a nice added extra that would usually go unnoticed. In the pre show, it was also nice to hear some period accurate music throughout the auditorium to help set the scene a little bit. As I mentioned previously, act 1 had A LOT of information in it, it was setting up the story as well as giving us our first couple of murders. The set up at times felt a bit long winded but it wrapped up just before it started to drag. Act 2 was much more action packed and exciting. There were jump scares, more murders, flashbacks (which were done very nicely), and it was just generally where the bulk of everything happened – oh and it was much, much darker. 

Overall, ‘And Then There Were None’ is the definition of a classic whodunnit. You know what to expect, and that’s exactly what you get. This was like watching a balance between a murder mystery and horror film together. It’s not a story that you need to have any background knowledge of, and I genuinely believe that it could be a show for everybody. There’s a particular scene right at the end of the show that should come with its own trigger warning, but that doesn’t take away from the show in itself. ‘And Then There Were None’ is at Mayflower Theatre until 13th April, and it’s made me really excited to see more of Agatha Christie’s work directed by Lucy Bailey. I wish all the cast and crew the best of luck with the rest of their run. 

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Sport

Colden Common extend unbeaten run with comeback win against struggling Denmead

Taylor-James Greer

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Despite strugglers Denmead leading at half-time, Colden Common extended their unbeaten run to eight games after their 4-1 win last night.

Early counter-attack by the Mead saw them ahead just inside three minutes. The Stallions believed there was a handball in the build-up, but Tayo Adekoya was able to strike past youngster James Egeland-Jensen.

Colden Common dominated after the goal. Alpay Ali’s header was directed straight at Ciaran Hards, before Matt Rylance managed to pick out Will Erdinc inside the box – whose effort went wide of the post. Matt Driver had this chance palmed away by the Mead keeper as Adekoya’s low drive from the free-kick was blocked by the wall.

Chances kept coming for the Stallions. Braden Collins and Ali combined outside the box, which allowed Rylance to have his effort comfortable saved by Hards with Driver’s strike also kept out. Brad Lethbridge’s delivery was met by Sam Middleton, who saw his header wide as the referee blew for half-time.

HT: Colden Common 0-1 Denmead

Seven minutes into the restart Colden Common were finally level after substitute Jack Darnton’s cross from the edge of the box managed to lob Hards.

Erdinc’s effort came close to giving the Stallions the lead four minutes later, but a near carbon copy of the first goal saw Lethbridge cross bounce over the Mead keeper as Colden Common completed a second-half comeback just inside ten minutes.

Former Petersfield Town defender Nathan Primus added his name to the scoresheet after his header saw Hards ball watching as Max Innalls failed to clear it off the line.

Rylance’s shot shortly afterwards was directed wide as John Holden managed to pick out Ali at the back post, but the Bulgarian failed to find the back of the net. However with two minutes left to go Ali managed to hold off Innalls, with the former Baffins marksman finding the bottom-left corner to wrap up the game.

FT: Colden Common 4-1 Denmead

What is next for both sides?

Both sides are back on the road this weekend.

Colden Common will travel to Kennels Lane as they take on already relegated Fleet Spurs. A win on Saturday could see the Stallions climb into the top four.

Denmead end their season with an away tie against Liss Athletic, with the club being one of the favourites to be relegated. Mead, Hayling United and Sway are all level on 32 points, with strugglers Moneyfields Reserves five adrift of the trio – they have two games in hand.

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Culture

REVIEW: Tess by Ockham’s Razor at New Theatre Royal Portsmouth

Owen Noon

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What would you say is the best way to do a book to theatre adaptation? Well I think ‘Tess’ by Ockham’s Razor could be the answer to that question. On offer at New Theatre Royal Portsmouth at the moment is ‘Tess’ by Ockham’s Razor, and all I can really say is wow! This is an adaptation of Thomas Hardy’s classic novel, ‘Tess of the D’Urbervilles’. It’s a story that has already been adapted to the screen, and to be honest I wasn’t quite sure how it would transfer to the stage. I could vision it being performed as a standard play, but could I vision it as a mixture of contemporary circus and theatre? My answer should have absolutely been yes! Alex Harvey and Charlotte Mooney have adapted and directed this masterpiece to perfection. Along with producer Alison King, a fantasy vision was seen – and they have managed to bring that vision to life. 

This show showcases the storytelling ability of dance, circus, and movement; as well as the athleticism and range of talent its performers have. The story is one that still has major relevance in today’s society with its incredibly nuanced evocation of female relationships, sexual desires, consent, privilege, and poverty. In this particular adaptation, it is all told as a flashback through Tess herself as a narrator. She is the only character with dialogue, the rest of the cast (including ‘Memory Tess’) tell their part of the story through the incredibly energetic and powerful nature of circus and body movement. I just love this! It’s such a creative way of showing the power, loss and and endurance of the story – as we see how the performers bodies react with the extreme strength and physicality of circus. It seems like subliminal messaging at its finest almost. 

Just stunning.

There are only seven in the cast but they have to be seven of the most talented performers I have seen. All of them are so strong and powerful, you get hooked on their every movement and emotion. These aren’t just performers, they’re athletes. I can guarantee that you will feel a wide range of emotions whilst watching this show. There were many times I was audibly laughing, and there were times when you could hear a pin drop in the auditorium. Just stunning. Heading the cast was Hanora Kamen as ‘Tess Durbeyfield’, and her narration was spot on. She wasn’t only telling the story, but recalling speech in different accents as the cast was performing the relevant flashback. In fact there were many times when the cast would be performing something different to what Kamen would be narrating, and you would be consuming two different things at once – but it didn’t feel difficult. 

Kamen’s partner in crime was Lila Naruse as ‘Tess Durbeyfield’ but the ‘memory’ version. These two were so good together that you would actually forget that you were watching/listening to two different people. The trio of girls was Lauren Jamieson, Victoria Skillen, and Shannon Kate Platt. The connection that these three share is phenomenal, and their comedic moments were fantastic. ‘Alec D’Urberville’ was played by Joshua Fraser who’s ring routine won’t leave my mind anytime soon; and ‘Angel Clare’ was played by Nat Wittingham who’s performance was beautifully powerful. The strength, commitment, and attention to detail of this cast is fantastic and certainly doesn’t go unnoticed. The standing ovation tonight only proved that – Bravo!  

The set was actually incredibly intricate, whilst also being very stripped back. It was basically just lots of wood, rope, and materials – that when placed together with the dynamic movements from the cast, created a piece of innovative theatre. The cast actually end up building all of the set and there is always so much going on, that it feels like incredibly organised chaos. One thing that sticks in my mind as extremely effective was the way in which they portrayed Tess’ horse, and the way they would walk on the two planks whilst staying in place. It was new, it was fresh, and I loved it! The lighting and projection was also simple but added the perfect amount of ambience or warmth/cold when it needed to. Visually gorgeous.

I still can’t get over how beautiful and impressive the whole thing was.

The music was matched perfectly to the show, but sometimes was very repetitive in all honesty. It was only a soundtrack that was being played, but as a friend rightly said, if it was a live band it probably would’ve taken away from the show because of how much was going on. In fact there were times where the music was too loud which just overloaded the senses. I think what really makes this show is all of the above mixed with the brilliant choreography. Choreographer, Nathan Johnston, cannot be credited enough as without his work, I don’t think the show works. One piece of movement that gets revisited multiple times, forwards and in reverse (if you know you know), is the sequence of ‘Tess’ and ‘Angel’ when they make their way along the trail to the farm. The movement of the set and cast had to be inch perfect, both in timing and spacing, and that’s exactly what it was. Literally mesmerising! 

Overall, ‘Tess’ is an incredibly impressive spectacle. It’s something new and exciting, and I’m interested to see what Ockham’s Razor will produce next. The story was easily followable, and the way in which it’s told is beautifully powerful and physical. Mixing contemporary circus into theatre adaptations should now be a benchmark to hit I think. I still can’t get over how beautiful and impressive the whole thing was. Whatever part of theatre you’re into, I think this is a show that you should definitely see if you’re lucky enough to get the chance. The cast are superb and the production as a whole will be unlike anything you’ve quite seen. ‘Tess’ is touring until June this year before further dates for spring 2025 are announced. I wish everybody involved the best of luck going forward, I know I’m already looking at when I can come and see this again. 

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The ‘pressure is on’ says Harris as Liphook look to secure title against Fleet Spurs

Taylor-James Greer

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Liphook United boss Carl Harris understands how much pressure is on his side as they are one win away from winning the Hampshire Premier League after their 3-1 victory on Tuesday night against Moneyfields Reserves.

Moneys took an early lead through former Portsmouth midfielder Stan Bridgman but Ryan Angear, Marco Sellitto and Marcus Bedford were on target for the Blues to gain all three points in East Hampshire.

Victory for Liphook saw them pick up their 11th win from losing positions this season, which saw Harris praised his squad’s character after Tuesday’s comeback.

He told Winol: “It’s always going to be tough game [against Moneyfields Reserves], they are playing to stay in the league and had a few first team players playing for them – Stan Bridgman and Elliott Turnbull.

“The last few weeks people have been saying we should win the league and now it’s just us to close it out.”

‘We are a second-half team’

Harris told Winol: “People have been saying – ‘how are Liphook going to win the league, they are not that good.’ I agree with people saying ‘we’re a second-half team’ and it’s nothing to do with other than character.

“The character of my team is the best I know, that is the 11th time this season we have come back from behind and won. That’s character so when we look like we’re down and out, we’re not.

“People can say whatever they like, it’s just one more now.”

One more win

Saturday afternoon could see Liphook become winners of the Hampshire Premier League for the first time since 2012. 

A win on Saturday against rock bottom Fleet Spurs will see the Blues win the league with four games to spare.

Fleet have only two league wins all season, Liphook will certainly go into the game as favorites.

The two sides met earlier this month as the Blues took home all three points at Kennels Lane.

“It’s the day we wanted,” said Harris. “At home [on a Saturday], our Reserves are playing before us – the whole club will be here, and that is something no one can take away from us.

“It will be tough [against Fleet Spurs], only won 3-2 against a good side. Every game is tight, and we will probably make hard work of it but I don’t care as long as we get our day.”

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