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REVIEW: Everybody’s Talking About Jamie at Mayflower Theatre

Owen Noon

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Tonight, Southampton was only talking about one thing…                Jamie!

Everybody’s Talking About Jamie’ is on Mayflower Theatres stage once again and what a way to start off the new year. The hit musical by ‘Dan Gillespie Sells’ (Music) and ‘Tom Macrae’ (Book & Lyrics) is back and better than ever. This musical has become a modern-day instant classic of theatre and is well deserved of its place with such prestigious company. Having won the awards ‘Jamie’ has won (‘Jamie’ is what I’m going to refer to the musical as from now on), and having a major motion picture adaptation of the musical – it could have been very easy for the show to forget its way and its powerful meaning. I’m very happy to say that this is just not the case. 

One thing I love is a biopic story told via a musical. If that’s something you love too and you haven’t seen ‘Jamie’ yet, I think I may have the next musical for you. Based on the Firecracker documentary film, ‘Jamie: Drag Queen at 16’’, this true story follows Jamie New, a teenage boy from Sheffield coming to the end of his school life and thinking about what he wants to do after school. Or more importantly what he wants to be. Jamie doesn’t quite fit in, but with the support from his mum and friends he overcomes prejudice and steps out of the darkness and into the spotlight. His story is funny, powerful and touching. It’s just as important now as it was when it actually happened. Director, Matt Ryan, has done incredibly well to portray that level of importance throughout the show. Through song, dance, movement, and placement. Every little detail has been noticed and watching it unfold was seamless. Having such an important topic and giving it a feel good vibe can’t have been easy but the whole company has made it work. 

Everything about his performance was outstanding.

The casting for this tour is phenomenal. Each and every member of the cast brought the energy and guided us through the story perfectly. We were tapping our feet at the highs, and you could hear a pin drop in the lows. Command over a packed theatre like that? Now that’s talent! The whole cast was brilliant but I can’t not talk about a few standout performances. The role of ‘Jamie New’ was played by Ivano Turco and I have no other word than WOW! His stage presence was incredible. The dancing, incredible. His comedic timing and delivery, yep you guessed it, incredible. Everything about his performance was outstanding, and to bring a voice like his into this role was perfection. The vocal choices that he made were spot on, he truly made the role his own and it was so refreshing. As ‘Jamie New’ himself would say, “Ivano you were FABulous!”. Returning to play Jamie’s Mum, ‘Margaret New’, was the highly talented Rebecca McKinnis. This is actually the second time I’ve seen McKinnis after seeing her as ‘Heidi Hansen’ in ‘Dear Evan Hansen’, as she was just as amazing then as she was tonight. Her relationship on stage with Ivano and the hilariously funny Shobna Gulati (playing the role of ‘Rey’) was so natural it felt like we were just watching their life unfold. Not to mention when she had the whole auditorium in tears during the songs ‘He’s My Boy’ and ‘My Man, Your Boy’. Phenomenal. Southampton are also lucky enough to have Giovanna Fletcher playing ‘Miss Hedge’ and John Partridge playing ‘Hugo/Loco Chanelle’ who again were both brilliant. John did a beautiful job at bringing in a further sense of sensitivity and understanding throughout the musical, whether he was dressed in his glamorous ‘Loco Chanelle’ get up or not. Veteran ‘Jamie’ actress, Talia Palamathanan reprised her role as ‘Pretty Pasha’, and all I can say is that it’s understandable why she has played the role multiple times in multiple different countries. It’s been so hard not to name each cast member individually in this review, but unfortunately it would make it unbearably longer than it’s going to be already. 

The set was also what you’d expect from a record breaking West End musical. Clever, efficient, but still grand. West end theatres tend to be a lot tighter so sets need to make the most of the stage they have. This is something you can tell has been kept in mind with this set design, but it certainly doesn’t get lost on the Mayflowers stage. The wall at the back is multi-functional becoming a kitchen, a shop, and a multitude of different places whilst allowing for the shows multiple split scenes. I also really enjoyed the use of the school desks turning into a catwalk, mixed with the lighting which was really effective. The lighting was fairly simple throughout, relying heavily on spotlights to pinpoint certain characters in a scene. The use of projection and video added lots to different scenes however. In particular at the end of act 1, the tall curtains and projection of Jamie was very creative. The pre-recorded videos of Ivano and Giovanna that were projected onto the back walls also helped tell the story of the songs whilst filling some empty space. 

It really is a fabulous story, fabulously told that makes you feel good.

As I’ve already mentioned, the singing within the show was brilliant; but as I always say, if there is one thing that can really elevate a musical it’s live music. The live band headed by Danny Belton, was note perfect. They really helped set the pace of the show, and when they were involved you could feel the energy move with them. I also like how they have stuck to their West End routes with the band being sat on stage above the action, rather than moving them to a pit which they could’ve easily done with the space provided. Something that I haven’t really mentioned but really enjoyed was the choreography and dance. Choreographer, Kate Prince, has done a great job at including a range of different dance styles and highlighting these in certain areas as well. If there is one thing that I thought ‘Jamie’ could improve on, it would be the long dialogue sections between characters when nothing else was happening. These are needed, but towards the end of act 1 I could start seeing people check their watches for when the interval was coming and I was also the same. I think it was the silences when silence wasn’t needed for dramatic effect. But that is just me being incredibly picky. 

I’m so impressed by this story and how the cast have told it so effectively. The story holds so many important morals and challenges that can be interpreted differently by each individual. Not only that, but it had me laughing out loud, speechless (which is challenging), and even close to tears. It really is a fabulous story, fabulously told that makes you feel good. I feel like this is a musical so many people will be able to resonate with in different ways. I keep saying about how important I feel the show is and one line that Jamie says almost sums it up without spoiling it for those who haven’t seen it. It’s along the lines of, “Real superheroes/men don’t wear capes, they wear dresses”. This will all become clear when you see this musical, which you absolutely should if you get the chance (especially with this tour cast!). ‘Everybody’s Talking About Jamie’ is at Mayflower Theatre until January 14th before continuing on its UK tour and I wish the whole company all the success they deserve. 

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Winchester News Online

Ukraine and the morality of war tourism

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Ukraine flag in town“/ CC0 1.0

Despite having been in a devastating full-scale conflict with its imperialist neighbour for almost four years, the nation of Ukraine is not only fighting for its survival, but also its future.

One way in which the fragile nation is attempting to protect its uncertain future is by promoting tourism within its borders.

While for many countries around the world, such as Spain or Australia, this is an almost effortless undertaking, for tourism boards within Ukraine, a country currently ravaged by war, and frequent drone and missile attacks, it has proved substantially more difficult.

As of the writing of the article, about 20% of Ukraine’s internationally recognised territory is currently pressed beneath the boot of Russian occupation, with this being the case for Crimea, and parts of the Eastern Donbas region since 2014.

Major cities such as Kharkiv, Kyiv, Odessa, and Lviv are no longer considered safe, with the UK government strongly discouraging any travel whatsoever to the vast majority of the country.

Before Russia’s military ambitions reared their ugly head in Ukraine in 2014, the nation saw about 20 million tourists annually, with the majority of them travelling to cities such as Lviv, Sevastopol (Crimea), and the capital of Kyiv.

The 2014 annexation of Crimea saw the number of tourists to Ukraine plummet by around 50%, primarily due to safety concerns, coupled with the fact that Crimea was considered a major attraction within Ukraine by internal and external tourists alike due to its more arid climate and stunning coastline on the Black Sea.

While constant war and threats of death continue within Ukraine, tourism still prevails within the nation, with almost 1.2 million people deciding to ignore the many warnings issued by their governments and entering.


The vast majority of those entering Ukraine during wartime are known as “War Tourists”.

The idea of war tourism itself is highly controversial in the modern era, primarily due to the fact that while some see it as a way to spread awareness of a struggling country while contributing to its economy and absorbing its rich culture, many others see it as taking advantage of a deeply troubling situation for attention and glorifying the deaths of both military personnel and civilians.

No matter which of these two arguments best represents your opinion on the issue, it is undeniable that tourism is beneficial to the economy of any nation, especially those that are at war.


The Visit Ukraine tourism site, was originally founded in 2021 in order to act as a guide to anyone intending to travel to the country, however it has since transformed into providing advice regarding how to navigate travel plans around the ongoing war, while remaining as safe as possible.

The site heavily advises that anyone wishing to enter Ukraine purchases “cost of war risk insurance,” which can be as cheap as three Euros, as even in the less affected parts of the country, risk of collateral damage is never zero, no matter how far they are from the front.

Being the largest country in all of Europe, when excluding Russia of course, Ukraine is home to a countless eray of stunning cities, towns and villages.

While it would be ideal to be able to encourage travel to each and every one of these locations, the war has made the potential costs of visiting such places too much for the average tourist to bear.

Despite this, however, many areas within the West of the country are relatively safe compared to its more central and Eastern regions/oblasts.

According to “Visit Ukraine”, tourism numbers in cities such as Lviv have actually increased since 2021, just one year before the declaration of full-scale war.

When talking about the West of Ukraine, it would be impossible not to mention the city of Uzhhorod.

Located in the far west of the country within the Zakarpattia Oblast, nestled against the border with Slovakia, the city of Uzhhorod is highly relevant within Ukraine today, as it is the largest city within the whole country that has not, as of yet, been hit by a single drone or missile, making it arguably Ukraine’s safest city as of now.


The city itself is vital to the Ukrainian military and civilian populations, as it houses thousands of refugees from regions more significantly affected by the war, especially young children, and injured soldiers who need time to heal and recover from injuries sustained in battle without needing to undergo the complicated process of leaving the borders of their homeland.

Additionally, cities such as Lviv are also commonly visited by tourists who decide to visit during wartime, since tourism has actually increased within the city, as mentioned previously.

While cities like Lviv, the capital of Kyiv, and many other urban areas within Ukraine are littered with bunkers in order to protect both civilians and tourists, they can nevertheless see days or even weeks of seemingly constant missile and drone bombardment, where civilian infrastructure is often targeted, taking the lives of dozens.

Obviously, since Ukraine has been fighting a full-scale war for almost half a decade, a plethora of members of the armed forces are critically injured, with those that survive needing rapidly supplied blood transfusions in order to save their lives.


Because of this fact, for any tourist that feels an obligation to help the Ukrainian cause in a more impactful way than just contributing to the economy, they can donate blood and/or blood plasma.


This could easily be seen as a moral workaround for anyone who leans towards the argument that tourism within Ukraine would be immoral, as in this case, you being there as a tourist and donating your blood would not only benefit the Ukrainian cause, but also potentially save the lives of someone’s son, husband and father.

To conclude, it is inevitable that some people will feel completely disgusted at even the idea of visiting a nation devastated by war, such as Ukraine, as a tourist, expecting a large aray of services to be provided.

While this argument does hold substantial weight, the fact is that if you take steps to benefit the people of Ukraine while spending time there by donating blood when visiting cities such as Uzhhorod, that are currently home to numerous injured soldiers and civilians in need of life saving aid then the nation will be slightly better off for it, and you will be doing a service, rather than purely having a service provided to you at the expense of the citizens.

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Football

Wessex Division One: Colden Common comeback from behind to beat Cove

Taylor-James Greer

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Colden Common strengthened their grip at the top of Wessex Division One with a 3–1 comeback win over play-off hopefuls Cove.

Cove took the lead when Ash Upson met Armani Riley’s corner with a towering header at the back post.

They nearly doubled their lead soon after. Noah Ayres fired a low effort past James Egeland-Jensen but the flag was raised for offside, before Will Okine-Peters came within inches of making it two, his powerful header crashing against the crossbar from close range.

But the Stallions responded almost immediately. Just two minutes after Okine-Peters’ effort rattled the woodwork, Colden Common broke quickly on the counter. Brad Lethbridge picked out new signing Joe Johnson, who showed great composure to lob goalkeeper Stuart Norman and score his first goal for the club.

Colden Common pushed for a second before the break. Cal Archer saw his header strike the post, while Charlie Hitchings and Will Erdinc both tried their luck from distance but failed to test Norman.

Cove threatened again early in the second half. Okine-Peters found Charlie Oakley on the right, but he could only fire wide, before Higgs’ deflected strike forced a superb save from Egeland-Jensen after the ball deflected off Cam Stone.

Those missed chances proved costly. Hitchings soon picked out Sam Woodward in acres of space and the forward made no mistake, curling a composed finish into the bottom corner to give Colden Common the lead. The goal marked Woodward’s sixth in just seven appearances for the club.

Cove’s afternoon then took another turn for the worse when striker Kay Hampson was shown a straight red card following a challenge on Stone, reducing the Wasps to ten men.

Colden Common capitalised late on, adding a third through Stone after a well-worked move.

The hosts could even have added a fourth, with Woodward denied by a fine save before Johnson fired wide.

After the match, manager Steve King praised his side’s second-half display.

“I thought we controlled the second half and got the goals we deserved against a fellow promotion chaser,” he said.

 “The sending off didn’t change the game, we kept moving the ball quickly and I’m really pleased with the third goal.”

Colden Common are next in action with a trip to Miller Park, where they face strugglers Totton & Eling.

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Winchester News Online

Hampshire Harriers mid season review:

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The first half of the season has been a good combination of good showing that is close. The Harriers are doing well, but they realize they have to do better going forward to get further up the track. And with a handful of key games in the pipeline, the second half of the season will be the deciding factor in whether they can convert effort into yet another win.

On the sidelines, the club is readying for changes. After ten seasons at Oasis Academy, the Hampshire Harriers will shift to Apple More Health and Leisure in Dibden to play games as funding for the team increases and costs climb.

The squad remains focused on performance despite difficulties they may face on the court or off it. “We’ve played really well, even in the matches we lost this season,” said club representative David Morgan. “We have produced good numbers and we have that to give us hope. Some days, we’ve just been getting close (tied up) and things haven’t gone our way. We also will be moving to Apple More Health and Leisure in Dibden, which we will have to get used to. The biggest thing is that we keep our heads, we stay together, and we go through it as a team. If we work hard and remain unified the results will come.”

The venue at Oasis Academy has been a significant contributor to the Harriers’ growth over the last 10 years. It’s also given them stability and a good local presence. While this is the close of a lengthy chapter the club will continue its quest for further progression and play both on and off the playing floor.

The Harriers expect a good run into the next half of the season as they near critical moments. As that stage of the season comes in, they want the season to continue on well. And whatever obstacles lie in the way they just want to end their fight and finish up the campaign well powered through.

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