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REVIEW: Everybody’s Talking About Jamie at Mayflower Theatre

Owen Noon

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Tonight, Southampton was only talking about one thing…                Jamie!

Everybody’s Talking About Jamie’ is on Mayflower Theatres stage once again and what a way to start off the new year. The hit musical by ‘Dan Gillespie Sells’ (Music) and ‘Tom Macrae’ (Book & Lyrics) is back and better than ever. This musical has become a modern-day instant classic of theatre and is well deserved of its place with such prestigious company. Having won the awards ‘Jamie’ has won (‘Jamie’ is what I’m going to refer to the musical as from now on), and having a major motion picture adaptation of the musical – it could have been very easy for the show to forget its way and its powerful meaning. I’m very happy to say that this is just not the case. 

One thing I love is a biopic story told via a musical. If that’s something you love too and you haven’t seen ‘Jamie’ yet, I think I may have the next musical for you. Based on the Firecracker documentary film, ‘Jamie: Drag Queen at 16’’, this true story follows Jamie New, a teenage boy from Sheffield coming to the end of his school life and thinking about what he wants to do after school. Or more importantly what he wants to be. Jamie doesn’t quite fit in, but with the support from his mum and friends he overcomes prejudice and steps out of the darkness and into the spotlight. His story is funny, powerful and touching. It’s just as important now as it was when it actually happened. Director, Matt Ryan, has done incredibly well to portray that level of importance throughout the show. Through song, dance, movement, and placement. Every little detail has been noticed and watching it unfold was seamless. Having such an important topic and giving it a feel good vibe can’t have been easy but the whole company has made it work. 

Everything about his performance was outstanding.

The casting for this tour is phenomenal. Each and every member of the cast brought the energy and guided us through the story perfectly. We were tapping our feet at the highs, and you could hear a pin drop in the lows. Command over a packed theatre like that? Now that’s talent! The whole cast was brilliant but I can’t not talk about a few standout performances. The role of ‘Jamie New’ was played by Ivano Turco and I have no other word than WOW! His stage presence was incredible. The dancing, incredible. His comedic timing and delivery, yep you guessed it, incredible. Everything about his performance was outstanding, and to bring a voice like his into this role was perfection. The vocal choices that he made were spot on, he truly made the role his own and it was so refreshing. As ‘Jamie New’ himself would say, “Ivano you were FABulous!”. Returning to play Jamie’s Mum, ‘Margaret New’, was the highly talented Rebecca McKinnis. This is actually the second time I’ve seen McKinnis after seeing her as ‘Heidi Hansen’ in ‘Dear Evan Hansen’, as she was just as amazing then as she was tonight. Her relationship on stage with Ivano and the hilariously funny Shobna Gulati (playing the role of ‘Rey’) was so natural it felt like we were just watching their life unfold. Not to mention when she had the whole auditorium in tears during the songs ‘He’s My Boy’ and ‘My Man, Your Boy’. Phenomenal. Southampton are also lucky enough to have Giovanna Fletcher playing ‘Miss Hedge’ and John Partridge playing ‘Hugo/Loco Chanelle’ who again were both brilliant. John did a beautiful job at bringing in a further sense of sensitivity and understanding throughout the musical, whether he was dressed in his glamorous ‘Loco Chanelle’ get up or not. Veteran ‘Jamie’ actress, Talia Palamathanan reprised her role as ‘Pretty Pasha’, and all I can say is that it’s understandable why she has played the role multiple times in multiple different countries. It’s been so hard not to name each cast member individually in this review, but unfortunately it would make it unbearably longer than it’s going to be already. 

The set was also what you’d expect from a record breaking West End musical. Clever, efficient, but still grand. West end theatres tend to be a lot tighter so sets need to make the most of the stage they have. This is something you can tell has been kept in mind with this set design, but it certainly doesn’t get lost on the Mayflowers stage. The wall at the back is multi-functional becoming a kitchen, a shop, and a multitude of different places whilst allowing for the shows multiple split scenes. I also really enjoyed the use of the school desks turning into a catwalk, mixed with the lighting which was really effective. The lighting was fairly simple throughout, relying heavily on spotlights to pinpoint certain characters in a scene. The use of projection and video added lots to different scenes however. In particular at the end of act 1, the tall curtains and projection of Jamie was very creative. The pre-recorded videos of Ivano and Giovanna that were projected onto the back walls also helped tell the story of the songs whilst filling some empty space. 

It really is a fabulous story, fabulously told that makes you feel good.

As I’ve already mentioned, the singing within the show was brilliant; but as I always say, if there is one thing that can really elevate a musical it’s live music. The live band headed by Danny Belton, was note perfect. They really helped set the pace of the show, and when they were involved you could feel the energy move with them. I also like how they have stuck to their West End routes with the band being sat on stage above the action, rather than moving them to a pit which they could’ve easily done with the space provided. Something that I haven’t really mentioned but really enjoyed was the choreography and dance. Choreographer, Kate Prince, has done a great job at including a range of different dance styles and highlighting these in certain areas as well. If there is one thing that I thought ‘Jamie’ could improve on, it would be the long dialogue sections between characters when nothing else was happening. These are needed, but towards the end of act 1 I could start seeing people check their watches for when the interval was coming and I was also the same. I think it was the silences when silence wasn’t needed for dramatic effect. But that is just me being incredibly picky. 

I’m so impressed by this story and how the cast have told it so effectively. The story holds so many important morals and challenges that can be interpreted differently by each individual. Not only that, but it had me laughing out loud, speechless (which is challenging), and even close to tears. It really is a fabulous story, fabulously told that makes you feel good. I feel like this is a musical so many people will be able to resonate with in different ways. I keep saying about how important I feel the show is and one line that Jamie says almost sums it up without spoiling it for those who haven’t seen it. It’s along the lines of, “Real superheroes/men don’t wear capes, they wear dresses”. This will all become clear when you see this musical, which you absolutely should if you get the chance (especially with this tour cast!). ‘Everybody’s Talking About Jamie’ is at Mayflower Theatre until January 14th before continuing on its UK tour and I wish the whole company all the success they deserve. 

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Winchester News Online

Children will receive skills ‘to get on with life’ in curriculum revamp

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Children in primary school with now receive education on “the skills needed to get on with life’”says the government after it announced the reforms to the curriculum.

Secondary schools will also be expected to introduce further testing to ensure that children struggling with core literacy are supported.

The changes were made following recommendations of a report made by Professor Becky Francis.

The “Revitalised Curriculum” is a part of the prime minister’s targets to give young people the skills needed “to get on with life”.

Primary school children will be taught essential online tools such as how to spot fake news and understand online dangers.

Secondary schools will have to introduce standard reading testing in year eight so that these who need support are spotted before it is too late.

The new reforms aim to give students confidence and give them further skills to join the competitive job market.

The new curriculum will fully published by spring 2027.

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Sport

Wessex Division One: Colden Common level on points at the top

Taylor-James Greer

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Colden Common are level on points with Whitchurch United, but stay second due to goal difference, after a 4-1 win against Blackfield & Langley. 

That win now sees the Stallions undefeated in their last six league games – they’ve won five in a row. 

But it was Colden Common that were behind, following James Egeland-Jensen’s attempt to clear the ball that was deflected in by striker Ashton Goodger

However, the Watersiders’ lead was short-lived.

Steve Kings’ side turned the game around in just five minutes, going from trailing 1-0 to leading 2-1, thanks to Jimmy Walters’ goal from a corner and Cal Archer’s lob over Jack James.

Despite surrendering their 1-0 lead and falling behind, Blackfield had a chance to level the score immediately, but Daniel Reynolds’ effort was directed wide.

Colden Common continued to pile the pressure on but couldn’t find the back of the net, as Joao Ferreira fired his effort straight at the keeper

And even in the early stages of the second-half, Colden Common struggled to find the back of the net in the early stages of the second half, with Ferrieia and Walters both failing to convert close-range. However, from a resulting corner, Cam Stone’s delivery was met by defender Will Erdinc, who nodded home to give his side a two-goal cushion.

Two minutes later, Erdinc’s pinpoint pass found Ben Sunley, who opted to shoot rather than pass to Walters, but his effort was dragged wide. 

The chances kept coming. Erdinc thought he’d grab a second, but his header was directed wide of the post.

Six minutes later, Erdinc turned provider, when he picked out Sunley, who found the back of the net and seemingly wrapped up the game. 

Colden Common pushed for a fifth late on, but a series of chances fell to nothing. Walters found Ferreira, but James made a great low save. Sammy Middleton’s effort from range flew wide, while Josh Bowerman’s strike was comfortably kept out. The game’s final chance saw Josh Harvey-Grey’s free kick, which looked to curl into the top corner, but was palmed away. 

Next up for the Stallions, it’s a midweek trip to United Services Portsmouth, in the third round of the Wessex League Cup.

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Culture

Where confidence takes centre stage: How theatre transforms

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Performing arts education isn’t just about learning to act, dance, or sing – it’s vital in developing many young people’s confidence and self-expression.

In a digital age where young people are spending more time on their devices than ever before, theatre education provides lifelong skills like communication, resilience and teamwork.  

I caught up with some of the students at Artisan Theatre School, a Hampshire based youth theatre club, to see if this rings true.  

Ben, 18, said his time at theatre school has “helped develop people skills” and made him “a more confident person”.

He urged other young people to “get involved and enjoy it!”

Daniel, 17, shared a similar sentiment saying his “confidence has grown a lot”.

Theatre education can open a whole world of new opportunities for young people, giving them the space to discover their talents and explore future career paths.

Lucy, 17, has attended Artisan Theatre School for nine years and said: “I want to be a performer in some capacity.”

She added: “That’s my dream because of Artisan.”  

Emma, a singing teacher at the school, said performing arts education is “beneficial to anyone,” not just those pursuing it professionally.

She added it can be especially valuable for children with SEN, helping them build confidence, improve communication, and “come out of their shell” in a supportive environment. 

Unfortunately, despite its benefits, arts education is not guaranteed for every young person.

Cuts to funding over the last decade has had a significant impact, limiting access to creative learning opportunities.

The Cultural Learning Alliance’s 2025 report reveals a 42% decrease in Creative Arts based GCSE entries since 2010, and a 27% decline in the number of Arts teachers.  

Sam Blackwell, principal and founder of Artisan Theatre School, said arts education is “really important” and that “they don’t do enough of it in schools”.

She explained that her vision in creating the school was to “give back more to kids and get them being confident”.

To help fill the gaps left by reduced arts provision in schools, Sam plans to introduce additional classes and offer increased opportunities for her students to learn from industry professionals.

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