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REVIEW: Jesus Christ Superstar at Mayflower Theatre

Owen Noon

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JESUS CHRIST – SUPERSTAR! Yep I sung it too! At Mayflower Theatre this week, perfectly timed for Easter, is the critically acclaimed ‘Jesus Christ Superstar’ – back from the dead if you will. This revived production started in 2017 with two sold out runs at Regent’s Park Open Air Theatre, before taking over North America (again) with a tour that is still ongoing. This is an updated, slightly modernised version of Andrew Lloyd Webber and Tim Rice’s original concert turned Broadway musical smash-hit, and its not hard to see why it has such raving reviews and accolades. If you’re not aware of the story, you are more than definitely aware of ‘Superstar’s’ title tune (as sung above…); but for those of you unaware, the story takes us through the last few weeks of Jesus Christ’s life, seen through the eyes of Judas. 

This production is all about the music! As it was originally written as an album and later turned into a musical production – the new design and direction from Tom Scutt (designer) and Timothy Sheader (director), lends itself perfectly to not only the story but also the music style. A lot of the modernisation comes from the set, design and costume (which we’ll get onto a little bit later), but this particular production of ‘Superstar’ has everything that you’d expect from an Olivier Award winner (Best Musical Revival). The coherence between Drew McOnie’s wonderful choreography, with the new design elements and powerful vocals/instrumentals, all give this musical the ‘Rock-Opera’ vibe. What I particularly liked was the fact that you couldn’t tell that this musical is over 50 years old. Granted this version isn’t 50 years old, but the music and story is – and it felt as if it could’ve been written yesterday. Although they both more than likely took some inspiration from the original, this version of ‘Superstar’ was like the perfect modernised love-child of ‘Les Misérables’ and ‘Hamilton’.

The raw emotion in his performance was stunning.

This cast was superb! Firstly I think I need to mention the ensemble. The energy in dance and movement took this performance to a whole new dimension. Their movements were strong and gave an extra edge to the story by adding physical emotion into the mix. Brilliant from all them! We also HAVE to mention the main man!Playing ‘Jesus’ tonight was understudy, Luke Street. He was phenomenal! His voice had the perfect rock tone and his rendition of ‘Gethsemane’ was flawless. The raw emotion in his performance was stunning. Keeping on the trend of incredible voices, Hannah Richardson as ‘Mary’ was again phenomenal. In particular ‘Everything’s Alright’, which also included Shem Omari James as ‘Judas’, was beautifully sang from all three of them. Shem’s voice also lent itself perfectly to the narrative of the story, like he was singing to the audience and telling them what was happening/what he was thinking. Although he may not be involved for too long, ‘Herod’ played tonight by Timo Tatzber, completely switched up the pace of the musical, and got a huge reception. Overall, this cast clearly has lots of talent and they showcased that – they sparkled out there tonight, and that was way before the glitter! (if you know you know). 

When it comes to set and design, as I mentioned earlier – this is really something that has made this production that much better. The set itself is modernistic industrial minimalism, with iron pillars making up the back of the staging where the band sits (will also touch on this later). In the centre of the stage is a cut out crucifix on the backdrop with a grated, giant, three dimensional crucifix on a slant centre stage. This is used as a runway at times, and the levels of the set at the back for characters to run up and down on is very nice in adding layers to what you’re looking at. The little modernised touches of cables and wires being used as bits of symbolism and replacements as restraints was also a nice oxymoron from the story to modern times. The costumes were also on this same line as well. Minimalist and modern but that’s all they needed to be. The lighting was a mixture of minimalist – to rock concert. There was no in-between. I particularly loved the way it looked like the cast would just appear from under the crucifix because of the way the lights were formed. Incredibly effective! 

You’re expecting to see a Broadway show, and that’s exactly what you get.

To talk about the music, I don’t think there’s too much that can be said. It’s an album that’s gone gold and platinum, and you can see why. It’s not really surprising coming from the minds of theatre royalty. The live band fronted by Michael Riley smashed it tonight. Live music always adds so much more to musical theatre, and when its basically a rock concert on stage – even better. I also love it when we have actors that can play instruments live on stage. It not only showcases the incredible performers further, but I think in ‘Superstar’s’ case, it pays a nice homage to when this used to just be a touring concert. The same can be said in the way handheld microphones are used – its something new and fresh to see in a current musical. The guitar solos were straight from Slash’s songbook, and there were so many different styles of music – including the sax solo! You can definitely see why this was instantly so popular in the 70s. Rock music was at its high point. To make another similarity to modern day, ‘Hamilton’ has done the exact same thing in todays age. Rock is to ‘Jesus Christ Superstar’, what rap is to ‘Hamilton’. 

Overall, the production value of this musical is certainly something that doesn’t disappoint. You’re expecting to see a Broadway show, and that’s exactly what you get. It’s again collaborative between multiple different art forms. By having the band on the stage, they now become a character. I don’t think enough has been said about the dance either. So much is happening, and when the ensemble go from sequenced dance individually to in unison it looks so clean. When they bring out different crucifixes that light up or pour glitter, it again is something very simple that has a very big pay off. A scene that I can recall instantly would be the last supper, because that’s exactly what it represented. If you were to walk in without context to what was going on, you’d know exactly what it was. Extremely clever direction. At the point when Jesus gets crucified I knew what was coming, but I wasn’t prepared for the atmosphere to get as dark as it did. The effect of having him hanging there with a light shining through him, left a silhouette which was exceedingly powerful. The silence that followed this was potentially the longest that I have ever witnessed in a theatre. 

From silence to a standing ovation roar, ‘Jesus Christ Superstar’ got exactly what it deserved. I feel like I could talk on and on about this particular production, but what fun is reading about it when you could go and see it yourself? (Which you definitely should do!). I remember I always used to think that this musical was going to be heavily religious which put me off previously. However, if I could just ask you to go and listen to the ‘Overture’ from the album – it may be enough to get you into the theatre like it was with me. ‘Jesus Christ Superstar’ is at Mayflower Theatre until Saturday 30th March before carrying on, on its UK tour. There may be some cast changes with Julian Clary playing ‘Herod’ from Thursday-Saturday. I’m sure this whole company is going to continue to perform to the high standards that gained this musical revival its impressive reputation, and I wish them all the luck as they move forward. 

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Review of The Roses 2025

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The Roses film poster

If something looks perfect from the outside does it mean it actually is?

That’s the concept that director Jay Roach brings to life in the new movie The Roses released in August 2025.

The Roses is a reimagining of the 1989 film The War of the Roses which was originally based on Warren Adler’s 1981 novel.

Although unlike the novel the characters instead are shown to struggle with their different careers either rising or falling.

It has been adapted, in my opinion, to make it resonate with women a lot more as in both the novel and first film the women were stay at home mothers who felt unsatisfied.

This appears to be one of the main reasons for the divorces with Barbara (Kathleen Turner) eventually turning to a catering business.

However, within the new modernised version Ivy’s (Olivia Colman) successful career is a point of contempt for Theo (Benedict Cumberbatch).

While it starts off with a more realistic depiction of parents struggling with the loss of a career and a start of a new one, it slowly divulges itself away from the typical divorcee movie.  

I watched this movie at the Everyman (luxury I know!) and the grip it had on me as an audience member was outstanding.

With the selection of actors involved in this movie it’s no surprise that there is a mix of comedy and drama making it a satirical black comedy.

While it was delightful to watch, I feel that some audience members might criticise the realism of the movie.

Yet I go to the cinema to be transported from real life so the mix of realism and shock factor was highly entertaining. 

A contrasting mix of comedy and darkness

The performances from the actors was exactly what the movie needed.

The chemistry, or lack thereof, between Colman and Cumberbatch was so believable that you would think that they were married in real life.

Their delivery of both the comedy and the rage was again so believable that it sucked me as the audience into what was the “dirty laundry” of their personal lives.

With a supporting cast including Andy Samberg, Allison Janney and others their characters mostly brought the comedy relief needed in to break the movie up.

They also gave us a contrast to the main relationship being shown which helped us recognise how some of the actions were exaggerated for our benefit. 

However, some critics online have noted that while it is undeniably a satirical dark comedy, the dark comedy seemed to be held back some times, therefore not always giving it the edge it needed.

I think that for a 15 certificate movie it had just the right amount to stretch over its wide audience.

Another criticism that The Roses received was that the contrast between the comedy and cruelty was sometimes so abrupt that it didn’t hit as hard as it could have.

At some points the comedy seemed out of place which almost gave the film a sort of jarring feel as they changed between the emotions.

The ending is ambiguous which can have mixed reactions from the audience.

Some may like to have the movie tied up neatly at the end whereas others like that they can believe what they want to believe.

I am the latter in the case of this movie as I enjoyed the fact that I could believe either the more macabre ending or not.  

To me the ending, without giving any spoilers, had me on the edge of my seat with a real 360 turn.

Again it had the perfect amount of shock factor and comedy which highlighted the overall tone throughout.

I felt that it drew the entire film together nicely especially with the ending performance from Coleman and Cumberbatch. 

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Sam Bishop’s new single – Just a Little

Emily Byway

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Winchester original artist Sam Bishop has been releasing music for almost a decade but after not releasing a new song for the last two years, Just a Little is set to be release this Friday, February 7th.  

Sam first got into music when he was in secondary school, after watching Imagine Dragons in the O2 he fell in love with their support act.

As an only child he has always been a creative person, writing stories and songs in his free time.

The first thought has never been how can I perform live but how can I write?

Sam also enjoyed:”I enjoy feeling nervous but eventually acting felt like second nature, so I decided to give music a go.”

After getting into music in school Sam released his first song in 2016.  

“It has been trial and error since with each year getting better and better performing and writing more.”

I asked him whether he has always written his own songs, and he explained: “The first thought has never been how can I perform live but how can I write?

“That’s the angle I attack music with.”

For Sam music has always been a way to express how he feels.  

But what’s the best part of the writing process?

Well, for Sam it’s the feeling of a song coming together as a whole, he compared the writing process to a tap, that it slowly drips until it starts to flow.

“You get a melody and a good lyric. It feels amazing when it all comes together it’s so special, it’s definitely a process it takes time and trial and error.”

Sam’s new single Just a Little, is no different, going through this same process, and has now come together ready for its release this Friday.

It all started in last summer, when Sam was on a flight from Miami to LA, he wasn’t interested in watching the typical films you find on airplanes, and felt creative, this is where the chorus for Just a Little was born.  

Being away from family for a prolonged amount of time through working away and travelling gave Sam the feeling of wanting to be connected and keep in touch with people’s lives whilst being away.

Just a Little is about questioning whether you’re enough.

It’s a song full of vulnerability and expressing that and truly allowing yourself to feel those feelings.  

After Sam’s travels he got home and revisited the song, from there it started to take off and really build.

He sent the song to his friend Toby who he describes as an unbelievable guitarist, and an excellent musician.

Toby then worked on the song as a production, whilst Sam worked on the lyrics.

Just a Little was kind of a one off, as a process it was very natural.

By mid-November the song was finished and now is the time for its release.  

This song has a different sound to Sam’s previous songs, and he’s excited for people to hear this new style of music from him.

“It’s a very personal song washed under happy and jolly music.

“It’s very current and popular; something you’d expect to hear on the radio.”

Sam hopes that that the release allows people to connect with not just the lyrics but how the song feels.  

Following the release Sam has big plans for the next year.

This is the start of a new sound for him, and he hopes more songs like this will follow with maybe one or two before the end of the year.

There are also a number of gigs to be announced for the next three months that he is looking forward to performing.

At the end of our interview Sam said: “Songs will happen, it’s what I love to do it’s so expressive as an art form and it’s something I will always want to do.

“Just a Little was kind of a one off, as a process it was very natural.

After not releasing a song for two years, once the lyrics were finished and he got the song back from Toby he knew this was the one that this would be the re-release of his music as an original artist.

Just a Little is out at midnight February 7th.  

For announcements of new music and dates of performances you can follow Sam on Instagram @sambishopmusician. 

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Highly anticipated Five Guys restaurant has opened on Winchester High Street

Guy Nicklinson

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The wait is over for Winchester’s burger lovers, as a new Five Guys restaurant has opened in the heart of the city centre.

The American burger chain, world famous for its customisable smash burgers and seemingly bottomless fries opened on Monday, December 2nd.

It was a soft launch without any ceremony for the restaurant, but the new staff and management immediately had a growing queue of customers on their hands.

Five Guys has taken one of three units from the former Debenhams department store. The other two are Nando’s which opened last month and Pizza Express.

Founded in Virginia in 1986, Five Guys launched in the UK in 2013 and has become a popular choice for burger lovers, including celebrities such as Tommy Fury, Mollie King, Ed Sheeran, and Maya Jama. 

There are now 1,800 restaurants worldwide including 171 in the UK. 

The new Winchester branch is expected to be a popular addition to the city’s food scene.

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