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Why ‘Fat Friends’ still has something to say about body image

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The 2000 show ‘Fat Friends’ was recently added to Netflix but, over 20 years on, have attitudes towards body image really changed or have they gotten worse? 

First of all, the title. ‘Fat Friends’ probably wouldn’t be top of the list if someone were to make a show about a group of friends from a slimming club today. At first thought, the title may come across as mocking or insensitive but this show was actually anything but. The early 2000s were a time of diets, tiny waists and trying to convince people that Martine McCutcheon was ‘chubby’ in ‘Love Actually’. So, to see a show from this time that didn’t villainise fat people was refreshing.

This show, whilst remaining somewhat of a comedy, managed to delve deep into the lives of these characters. It explored how body image affects every aspect of their lives and the strain low self-esteem has on relationships. This show didn’t take the route of ‘they’re unhappy because they’re fat’ which I was worried it might. It explored how (whether we’re a healthy weight or not) how we view ourselves affects our happiness. Lauren (a member of the group) is idolised by the other members because she’s ‘slim’. She was barely at the minimum weight she needed to be to join the group in the first place and, despite being the ‘ideal’ weight, she is one of the most insecure on the show.

Ruth Jones’ character Kelly was depicted as one of the most confident but was subject to pressure from people around her that led her to join the group in the lead up to her wedding. A tiff with her fiancé on what was supposed to be the ‘happiest day of her life’ was heavily influenced by the stress she was experiencing in her desperation to lose weight and the dodgy diet pills she was subjecting herself too. I think therefore the title is fitting, because all these individuals are connected because they’re fat (even if they’re not, as in Lauren’s case). Being ‘fat’ affects their everyday life, not physically but psychologically. It’s the only thing they see themselves as, it dominates their thoughts – discarding any positive traits that they may also possess which makes them likeable, which all the characters in the show are.

“I do feel good about myself, it’s everybody else that makes me feel bad going on and on about me being fat.”

The show was somewhat ‘progressive’ for its time and included some of the female characters posing for a magazine as the ‘real people of Super Slimmers’, following upset as previous ads had included models and fake weight loss stories. The feature did well in the show, with people feeling ‘seen’ or ‘related to’ and seemed to propose the need for plus size models. The modelling world has diversified since the show’s premiere in 2000, as we see not only different body types nowadays but also models with skin conditions and stomas. But have general attitudes towards body image changed that much? While yes (because the ‘heroin-chic’ of the 90s seemed to get traded in somewhere in the 2010s for BBL bodies) also no. It seems it doesn’t really matter what the ‘ideal’ body type is depicted to be, whether it’s having a big bum or no bum at all, because there being an ‘ideal’ body type in the first place is the problem – and as it’s constantly changing anyway, why should we bother keeping up with it?

I think ‘Fat Friends’ was eye-opening and still relevant.

Recently, a drug called ‘Ozempic’ has surfaced and is rumoured to be being used by celebrities to help them lose weight. The drug was created for people struggling with Type 2 diabetes. However, it appears to be in other people’s pockets and you can tell whose by their giveaway ‘Ozempic face’. When Sharon Osbourne entered the Celebrity Big Brother house just a few weeks ago people couldn’t help but tell she looked a bit ‘off’. Kelly Osbourne responded to people accusing her of using the drug by saying it’s “amazing” and why not lose weight by doing something that “isn’t as boring as working out”. So, if her daughter has been using it, it’s safe to guess Sharon has too, and if she’s still that worried about her weight at 71 years old, well… does it ever end?  

In conclusion, I think ‘Fat Friends’ was eye-opening and still relevant over 20 years later and the issues it raises around self-esteem are just as important now as they were then. In the end it doesn’t matter whether you reach your ‘goal weight’ or not, because if you aren’t happy on the inside, it’s hard to ever be happy with the outside.

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Winchester News Online

Children will receive skills ‘to get on with life’ in curriculum revamp

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Children in primary school with now receive education on “the skills needed to get on with life’”says the government after it announced the reforms to the curriculum.

Secondary schools will also be expected to introduce further testing to ensure that children struggling with core literacy are supported.

The changes were made following recommendations of a report made by Professor Becky Francis.

The “Revitalised Curriculum” is a part of the prime minister’s targets to give young people the skills needed “to get on with life”.

Primary school children will be taught essential online tools such as how to spot fake news and understand online dangers.

Secondary schools will have to introduce standard reading testing in year eight so that these who need support are spotted before it is too late.

The new reforms aim to give students confidence and give them further skills to join the competitive job market.

The new curriculum will fully published by spring 2027.

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Sport

Wessex Division One: Colden Common level on points at the top

Taylor-James Greer

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Colden Common are level on points with Whitchurch United, but stay second due to goal difference, after a 4-1 win against Blackfield & Langley. 

That win now sees the Stallions undefeated in their last six league games – they’ve won five in a row. 

But it was Colden Common that were behind, following James Egeland-Jensen’s attempt to clear the ball that was deflected in by striker Ashton Goodger

However, the Watersiders’ lead was short-lived.

Steve Kings’ side turned the game around in just five minutes, going from trailing 1-0 to leading 2-1, thanks to Jimmy Walters’ goal from a corner and Cal Archer’s lob over Jack James.

Despite surrendering their 1-0 lead and falling behind, Blackfield had a chance to level the score immediately, but Daniel Reynolds’ effort was directed wide.

Colden Common continued to pile the pressure on but couldn’t find the back of the net, as Joao Ferreira fired his effort straight at the keeper

And even in the early stages of the second-half, Colden Common struggled to find the back of the net in the early stages of the second half, with Ferrieia and Walters both failing to convert close-range. However, from a resulting corner, Cam Stone’s delivery was met by defender Will Erdinc, who nodded home to give his side a two-goal cushion.

Two minutes later, Erdinc’s pinpoint pass found Ben Sunley, who opted to shoot rather than pass to Walters, but his effort was dragged wide. 

The chances kept coming. Erdinc thought he’d grab a second, but his header was directed wide of the post.

Six minutes later, Erdinc turned provider, when he picked out Sunley, who found the back of the net and seemingly wrapped up the game. 

Colden Common pushed for a fifth late on, but a series of chances fell to nothing. Walters found Ferreira, but James made a great low save. Sammy Middleton’s effort from range flew wide, while Josh Bowerman’s strike was comfortably kept out. The game’s final chance saw Josh Harvey-Grey’s free kick, which looked to curl into the top corner, but was palmed away. 

Next up for the Stallions, it’s a midweek trip to United Services Portsmouth, in the third round of the Wessex League Cup.

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Culture

Where confidence takes centre stage: How theatre transforms

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Performing arts education isn’t just about learning to act, dance, or sing – it’s vital in developing many young people’s confidence and self-expression.

In a digital age where young people are spending more time on their devices than ever before, theatre education provides lifelong skills like communication, resilience and teamwork.  

I caught up with some of the students at Artisan Theatre School, a Hampshire based youth theatre club, to see if this rings true.  

Ben, 18, said his time at theatre school has “helped develop people skills” and made him “a more confident person”.

He urged other young people to “get involved and enjoy it!”

Daniel, 17, shared a similar sentiment saying his “confidence has grown a lot”.

Theatre education can open a whole world of new opportunities for young people, giving them the space to discover their talents and explore future career paths.

Lucy, 17, has attended Artisan Theatre School for nine years and said: “I want to be a performer in some capacity.”

She added: “That’s my dream because of Artisan.”  

Emma, a singing teacher at the school, said performing arts education is “beneficial to anyone,” not just those pursuing it professionally.

She added it can be especially valuable for children with SEN, helping them build confidence, improve communication, and “come out of their shell” in a supportive environment. 

Unfortunately, despite its benefits, arts education is not guaranteed for every young person.

Cuts to funding over the last decade has had a significant impact, limiting access to creative learning opportunities.

The Cultural Learning Alliance’s 2025 report reveals a 42% decrease in Creative Arts based GCSE entries since 2010, and a 27% decline in the number of Arts teachers.  

Sam Blackwell, principal and founder of Artisan Theatre School, said arts education is “really important” and that “they don’t do enough of it in schools”.

She explained that her vision in creating the school was to “give back more to kids and get them being confident”.

To help fill the gaps left by reduced arts provision in schools, Sam plans to introduce additional classes and offer increased opportunities for her students to learn from industry professionals.

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